Call for Papers: ‘The History and Historiography of Fashion(s)’, Perspective: Actualité en histoire de l’art (Deadline 16th May 2022)

Exploring fashion as a plural phenomenon that manifests itself in objects and images, influences artistic practices and maintains close ties with their history means understanding the formation of a body of fashion literature within the history of art. It also means attempting to grasp what art history has to gain from addressing this omnipresent yet unresolved subject that questions the discipline’s borders and hierarchies.

Two complementary definitions of fashion emerge and these underlie the two approaches that this issue of Perspective seeks to develop: the first aims to determine formal changes in dress and variations in the laws of appearances, while the second conceives of a single, cyclical renewal of taste that inspires customs and thus goes far beyond items of clothing and their accessories.

This is the twofold interest of the forthcoming issue of Perspective, and more generally, of research in the history of fashion today: a return to the foundations of a relatively recent field of investigation combined with methodological innovations taking place in art history and related disciplines and the new research perspectives they offer.

Please submit your proposal ( 2,000-3,000-character / 350 to 500-word summary, with a provisional title, a short bibliography on the topic, and a 2-3 line biography) to the editorial address (revue-perspective@inha.frby May 16th, 2022.

Authors of selected articles will be informed of the committee’s decision by the end of July 2022. Full texts of accepted contributions will need to be sent by December 15, 2022. These will be definitively accepted after the journal’s anonymous peer-review process.


Published by charlottecook

Charlotte Cook graduated magna cum laude with a Bachelor’s degree in European History from Washington & Lee University in 2019. In 2020 she received her Master’s degree in History of Art from the Courtauld Institute of Art, earning the classification of Merit. Her research explores questions of royal patronage, both by and in honor of rulers, in fourteenth- and fifteenth-century England. She has worked as a researcher and collections assistant at several museums and galleries, and plans to begin her PhD in the autumn of 2022.

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