Be they part of the composition of an image or gathered around the altar, textiles, as pliable and movable material, played a crucial part in the revelation of the invisible. Since the middle of the thirteenth century, the Real presence of Christ in the Eucharist became physically exalted and devotional images flourished in churches and in domestic interiors. It led to a genuine visual appetence, an intense desire to see the sacred. The image itself, powerful instrument of mediation between the visible and the invisible, is often compared to a veil, as it is able to suggest the presence or the absence of what is represented.
As garments, textiles adorned and transformed bodies. As dossals, they were the backdrop for adoration. As veils, they delineated the frontier between the human and the divine. As lifted curtains, they participated in a visual theophany and emphasized a supranatural presence. By this workshop, we want to explore the roles of textiles – be they real, fictional, material, painted or feigned – in the manifestation of the sacred, understood in its broadest sense, beyond the strictly religious sphere. Their diverse forms, their multiple functions and their metaphorical potential will be the core of our reflections.
How were textiles seen in a liturgical or devotional context ? What were their roles in the figured or sacramental revelation of the divine ?
To register for this event, please follow this link. After registration, an email will be sent to attendees with more information on how to access the video conference.
Contact: textiles.rituelimage@gmail.com
PROGRAMME
6th May 2021
9h00: Accueil et présentation des journées – Juliette Brack, Julie Glodt, Nicolas Sarzeaud
9h30: Conférence inaugurale – Paul Hills (Courtauld Institute of Art)
Textiles and Touch: Depicting the Sacred
10h10: Discussion et pause
Session 1 : Dévoilement et monstration – Unveiling and Exhibiting
Présidence de séance : Alain Rauwel
10h30: Hector Ruiz Soto (Sorbonne Université)
Le retable-machine à l’espagnole : le dévoilement comme fabrique d’images de culte au XVIIe siècle
11h00: Julie Glodt (Université Paris 1 Panthéon-Sorbonne)
Cercle blanc sur fond noir. Le rideau de l’élévation et la visibilité de l’hostie (XIVe-XVIe siècles)
11h30: Nicolas Sarzeaud (EHESS)
On n’en montre jamais trop, jamais assez : exposer les linges du Christ dans la liturgie, le théâtre religieux et les images à la fin du Moyen Âge
12h00: Discussion
12h30: Pause
Session 2 : Images et ornements – Images and Ornaments
Présidence de séance : Astrid Castres
14h00: Helen Wyld (National Museums Scotland)
Flesh and Blood: The Fetternear Banner
14h30: Laurent Hablot (EPHE)
Les enseignes vexillaires militaires et le sacré au Moyen Âge
15h00: Discussion et pause
16h00: Evelin Wetter (Abegg-Stiftung, Riggisberg)
Liturgical Visualization and Devotion: Textile Strategies of Pictorial Corporal Cases
16h30: Juliette Calvarin, (Harvard University, Cambridge)
Umbral : L’amict et l’Annonciation au Moyen Âge tardif
17h00: Ralph Dekoninck et Caroline Heering (Université catholique de Louvain)
L’ornementalisation des Ornamenta Sacra dans les anciens Pays-Bas des XVIIe et XVIIIe siècles
17h30: Discussion
7th May 2021
9h15: Accueil
Session 3 : Vêture et performance – Clothing and Performance
Présidence de séance : Maximilien Durand et Marlène Albert-Llorca
9h30: Diana Pereira (University of Porto, CITCEM)
Layered in secrecy and ritual: miraculous sculptures of the Virgin and the clothing of statues in Early Modern Portugal
10h00: Valeria E. Genovese (chercheuse indépendante, Naples)
Statues habillées : corps vivants ou nouvelles icônes ?
10h30: Discussion et pause
11h30: Laura Stefanescu (University of Sheffield)
Habiller les anges dans la Florence du XVe siècle : Des costumes pour le théâtre aux choix iconographiques
12h00: Rembrandt Duits (Warburg Institute, University of London)
Framed in Fabric. Liturgy in the Private Chapel of the Medici
12h30: Discussion
13h00: Pause
Session 4 : Révéler et honorer – Revealing and Glorifying
Présidence de séance : Ralph Dekoninck
14h30: Lisa Monnas (chercheuse indépendante, Londres)
The Virgin’s veil in Tuscan Painting, 1250-1400
15h00: Victor Schmidt (University of Utrecht)
Curtains sculpted and depicted: the case of the Chapel of the Cardinal of Portugal, San Miniato al Monte, Florence
15h30: Discussion et pause
16h30: Juliette Brack (Université Paris 1 Panthéon-Sorbonne)
Le dais marial dans le retable florentin : liturgie et ecclésiologie (XVe-XVIe siècles)
17h00: Valentine Langlais (Université Paul Valéry, Montpellier 3)
Révélation et glorification du Saint-Sacrement : de l’usage du rideau dans l’iconographie flamande de la Cène (XVIe-XVIIe siècles)
17h30: Discussion
18h00: Échanges finaux et conclusion des journées
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Responsables scientifiques : Philippe Morel (Université Paris 1 Panthéon-Sorbonne, HiCSA-CHAR), Philippe Plagnieux (Université Paris 1 Panthéon-Sorbonne, HiCSA), Alain Rauwel (Université de Bourgogne, CéSOR), Étienne Anheim (EHESS-CRH, Ahloma)
Hi there Risa. For any queries, please contact the organisers on textiles.rituelimage@gmail.com ☺️
will the conference be recorded? I live in California (Pacific Daylight Time)