New Publication: Bridging the Past – Life in Medieval and Post-Medieval Southwark: Excavations along the route of Thameslink Borough Viaduct and at London Bridge Station by Amelia Fairman, Steven Teague and Jonathan Butler

Excavations for the Thameslink project at Borough Viaduct and London Bridge Station have provided important new insights into the development of Southwark from the Saxon period up to the 19th century. The landscape of islands and waterways that characterised Roman Southwark was transformed through the 1st and 2nd millennia AD, as new areas were reclaimed for settlement. Lower-lying zones nonetheless remained prone to flooding through much of the medieval period, and the management of drainage channels was clearly a significant concern. A substantial ditch at Borough Market may have related to Southwark’s Saxon burh defences, and other late Saxon features lay within the probable limits of the burh. Occupation evidence in the form of building foundations and pits increased in the medieval period and into the post-medieval period. Dynamic development over time of the network of property boundaries, streets and alleys was revealed. Substantial assemblages of artefacts and environmental remains were retrieved, revealing differences in living standards between wealthier and poorer households. Southwark was historically a focus for craft and industry, and evidence was recovered for a range of occupations including bone working, tanning, leather working, pin making and clay pipe making. The large collections of timbers reused in the revetments of channels beneath London Bridge Station provide evidence of woodworking techniques used in timber-framed housing from the 12th century to the 18th century, and also include numerous fragments of medieval and post-medieval boats. Evidence relating to institutions such as almshouses and St Thomas’s Hospital was also encountered. 


Published by Ellie Wilson

Ellie Wilson holds a First Class Honours in the History of Art from the University of Bristol, with a particular focus on Medieval Florence. In 2020 she achieved a Distinction in her MA at The Courtauld Institute of Art, where she specialised in the art and architecture of Medieval England under the supervision of Dr Tom Nickson. Her dissertation focussed on an alabaster altarpiece, and its relationship with the cult of St Thomas Becket in France and the Chartreuse de Vauvert. Her current research focusses on the artistic patronage of London’s Livery Companies immediately pre and post-Reformation. Ellie will begin a PhD at the University of York in Autumn 2021 with a WRoCAH studentship, under the supervision of Professor Tim Ayers and Dr Jeanne Nuechterlein.

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