CFP: Double-Sided Objects in the History of Art, College Art Association Annual Conference 2021, deadline 16 September 2020

College Art Association Annual Conference, New York City, February 10-13, 2021

Chairs: Nicole Pulichene (Harvard University) and Nancy Thebaut (Skidmore College)

Double-sided images are pervasive across art historical time and place, yet they are not always considered in their full physical integrity: one side is often studied, displayed, and photographed more than its counterpart. In the historiography of pre-modern art, for example, privileging one side of a work might reflect methodologies borrowed from the study of easel painting. This approach, however, risks flattening an object’s material complexity and obscuring evidence of making and use.

This panel seeks papers that consider the history and historiography of double-sided objects by attending to their many facets, whether “front” and “back,” oblique angles, or otherwise hidden images. We ask how more holistic approaches to works of art might complicate, or even confirm, long-standing art historical narratives. Topics and questions might include: if makers emphasized or concealed the multi-sidedness of an object; if (and how) one side became dominant over time; emergent iconographic or material patterns within an object corpus; and multifarious or changing viewing conditions. Participants might offer solutions to unsatisfying yet common descriptors like front/back, recto/verso, or obverse/reverse, which so often reinforce material hierarchies. In keeping with this year’s CAA theme of climate crisis, contributors may wish to explore double-sidedness as a solution to material scarcity, namely through reuse and recycling. Proposals dealing with multi-sided works of art are also encouraged to apply. We hope that this panel creates a unique space to confront methodological and visual blind spots within our discipline by revising and challenging one-dimensional modes of looking.

Please submit abstracts via email to Nicole Pulichene (npulichene@gmail.com) and Nancy Thebaut (nancy.thebaut@gmail.com) by September 16 2020.

Published by Roisin Astell

Roisin Astell received a First Class Honours in History of Art at the University of York (2014), under the supervision of Dr Emanuele Lugli. After spending a year learning French in Paris, Roisin then completed an MSt. in Medieval Studies at the University of Oxford (2016), where she was supervised by Professor Gervase Rosser and Professor Martin Kauffmann. In 2017, Roisin was awarded a CHASE AHRC studentship as a doctoral candidate at the University of Kent’s Centre for Medieval and Early Modern Studies, under the supervision of Dr Emily Guerry.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: