CFP: The Print in the Codex ca. 1500 to 1900, deadline 16 September 2020

CFP: The Print in the Codex ca. 1500 to 1900, deadline 16 September 2020

The Bibliographical Society of America is sponsoring a panel session for the the College Art Association annual conference (10-13 February, 2021).

The Print in the Codex ca. 1500-1900 will consider bound volumes created or transformed through the incorporation of independently printed images. Inspired by recent scholarship that addresses the popularity of modifying, enhancing, or creating books in this manner, this session will focus on the production and reception of such books between the widespread adoption of the printing press in Europe, circa 1500, and the nineteenth-century rise of public museums and libraries, with their increasingly standardized and discrete organizational systems. Papers may address any books into which independently printed images have been incorporated, whether these books include text and whether they are analyzed as unique items or as products of broader creative or curatorial practices. This session seeks papers that consider both the material and the conceptual aspects of these complex volumes. Themes may include the agendas of specific creators; the codex as a structure and ways in which prints were designed for, or adapted to it; or how these works inform histories of reading, book and print production, or book and print collection. Papers may also address how these books relate to those of earlier centuries. Themes addressing subsequent reception are also welcome. Such themes include interpretive and practical challenges that the books present, and opportunities they offer, to the evolving institutional and media landscapes of the twenty-first century. 

Please send proposals, including title, abstract (250 words) and CV by Wednesday 16 September 2020 to: Jeanne-Marie Musto, Program Committee, Bibliographical Society of America, at musto.jeannemarie@gmail.com.

NB: CAA membership is not required to submit a paper proposal, but is required once proposals are accepted. For more information concerning participation in the CAA 2021 conference, see: http://www.collegeart.org/programs/conference/proposals.

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Published by ameliahyde

Amelia Roché Hyde holds an MA from The Courtauld Institute of Art, where she studied cross-cultural artistic traditions of medieval Spain, taking an in-depth look at the context and role of Spanish ivories within sacred spaces. Her favorite medieval art objects are ones that are meant to be handled and touched, and she has researched ivories, textiles, and illuminated manuscripts at The Metropolitan Museum of Art and The British Museum. Amelia is the Research Assistant at The Met Cloisters.

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