CFP: Andrew Ladis Trecento Conference (Tulane University, New Orleans, 10-13 November 2016), deadline 20 February 2016

In the spirit of the tradition forged by the late Andrew Ladis and his colleagues at the University of Georgia, an international congress of Trecento specialists will congregate at Tulane University to share their research formally and informally in New Orleans, LA.

This call for papers invites scholars of all ages and stages to submit proposals for 20-minute discussions of specific art historical problems, issues, and ideas that focus on the arts of Italy during “the long fourteenth century” (late Dugento through early Quattrocento). MA students must provide a letter of support from a professor with whom they have taken a graduate level course.

Please submit paper proposal (500-word limit), and a CV by February 20, 2016 to: LadisTrecentoConference@gmail.com

The keynote speaker at the Tulane conference will be Marvin Trachtenberg, Edith Kitzmiller Professor of the History of Fine Arts at the Institute of Fine Arts, New York University.

Thanks to the generous support of the Kress Foundation and other benefactors, we will not be charging any registration fees for this conference. Participants will be responsible for securing their own transportation and lodgings.

More information, including options for lodgings, will be posted soon on Facebook (https://www.facebook.com/LadisTrecentoConference/) as well as on a Tulane website.
Conference registration will be on Eventbrite beginning May 1

This will be the inaugural Andrew Ladis Memorial Trecento Conference and we are very excited! The plan is for the conference to be held every other year, with a new venue and host institution each time. The 2nd conference will be hosted by the University of Houston in Houston, TX, in fall 2018.


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Published by J.A. Cameron

James Alexander Cameron is a freelance art and architectural historian with a specialist background and active interest in architecture and material culture of the parish churches, cathedrals and monasteries of medieval England in their wider European context. He took a BA in art history and visual studies at the University of Manchester, gaining a university-wide award for excellence (in the top 30 graduands of the year 2008/9), and then went to take masters and PhD degrees at The Courtauld Institute of Art, London.

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