CFP: Artists, Avarice and Ambition in Europe, 1300 -1600 (AAH Annual Conference 2015), deadline 10 November 2014

This is a call for presenters in a panel at the Association of Art Historians annual conference, which is taking place at the University of East Anglia, Norwich 9th – 11th April 2015.

Artists, Avarice and Ambition in Europe, 1300 -1600

Co-convenors: Jill Harrison, Open University
jill.harrison@open.ac.uk

Vicky Ley, Open University
v.v.ley@open.ac.uk

 In Trecento Italy Giotto di Bondone was working on major commissions in Florence whilst buying property and conducting complex business transactions in the rural Mugello. Michelangelo, as recently published documents show, also accumulated wealth from a variety of sources in addition to his art. In sixteenth century Northern Europe Dürer exemplified the spirit of commercial enterprise by employing agents to sell his engravings and find new markets for his works all over the Netherlands. Less commonly women artists made economic contributions to family workshops. The commercial astuteness of the engraver and printmaker Diana Scultori, who held a Papal Privilege allowing her to sign and market her work, is a notable example. Artists were ambitious and money mattered. The economic interaction between artists, patrons, institutions and ideologies in Europe 1300 -1600 is the focus of ongoing critical study, including recent exhibitions exploring the influence of bankers, merchants and international trade on art and artists. This session encourages a multidisciplinary approach to debate the idea of the artist as businessman or woman. It will consider the ways in which artists were developing and exploiting networks of wealthy patrons and producing works which engaged with changing and often controversial economic discourse.

Papers will be welcomed which explore any of these issues. There is also the chance the proceedingss will be published.

Abstracts should be no longer than 250 words, and should be sent to the session organizers along with a short CV (max 2 pages) and a biographical note and sent by November 10th 2014.


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Published by J.A. Cameron

James Alexander Cameron is a freelance art and architectural historian with a specialist background and active interest in architecture and material culture of the parish churches, cathedrals and monasteries of medieval England in their wider European context. He took a BA in art history and visual studies at the University of Manchester, gaining a university-wide award for excellence (in the top 30 graduands of the year 2008/9), and then went to take masters and PhD degrees at The Courtauld Institute of Art, London.

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