Birkbeck, Clore Management Centre (CLO B01) and Onlin)
Around 1490, an Egyptian artist known as ‘Sabadino’ migrated to Ferrara, Italy, and set up a workshop under the patronage of the ruling Este family. Sabadino produced carpets of a distinctive type that seems to have emerged in Mamluk Egypt around the middle of the century, and was already highly prized across the Mediterranean. Although the general outlines of his career in Ferrara were made known through archival research in the nineteenth and early twentieth centuries, Sabadino has received little sustained scholarly attention. This talk provides an overview of Sabadino’s activity in Ferrara, focusing in particular on how his work came to be interpreted in light of canonical themes of Renaissance art theory, such as the rebirth of antiquity, the social status of the artist, and the figure of the polymath. The aim is both to contribute to scholarship on this understudied artist, and to reevaluate the implications of artistic migration for wider understandings of the relationship between Italian and Islamic art in this period.
Robert Brennan joined the Courtauld Institute of Art in January 2025 as Lecturer in Italian Art, c. 1300-1500. His first monograph, Painting as a Modern Art in Early Renaissance Italy, was published by Harvey Miller in 2019. His articles have appeared in journals such as The Art Bulletin, Oxford Art Journal, and I Tatti Studies.
Book Here for the In-Person Seminar*
*Please note that due to ongoing work at 43 Gordon Square, this seminar will be held just around the corner in the Clore Management Centre (room CLO B01), not the Keynes Library.
Discover more from Medieval Art Research
Subscribe to get the latest posts sent to your email.
Medieval Art Research 