New Publication: ‘The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence’ by Theresa Flanigan

All information available via https://www.brepols.net/products/IS-9781912554683-1

Drawing upon new documentary research, this is the first in-depth modern scholarly study of the Ponte Vecchio in Florence.

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, this book traces the history of the Ponte Vecchio, focusing on the current bridge’s construction after the flood of 1333. Much of the Ponte Vecchio’s original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio’s vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its “beautiful and honorable” appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge’s patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence.

Author Biography

Theresa Flanigan is Assistant Professor of Art History at Texas Tech University and a specialist in Italian Medieval and Renaissance art and architectural history. Dr. Flanigan received her Ph.D. in Art History from New York University’s Institute of Fine Arts, a M.A. in Art History from Syracuse University’s Florence Program, and a B.Arch. in architectural design from Syracuse University. She was also a foreign fellow at the Scuola Normale Superiore in Pisa, Italy.


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Published by Roisin Astell

Dr Roisin Astell has a First Class Honours in History of Art at the University of York, an MSt. in Medieval Studies at the University of Oxford, and PhD from the University of Kent’s Centre for Medieval and Early Modern Studies.

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