Call for Papers: Mary Jaharis Center Sponsored Panel, 7th Forum Medieval Art, Deadline: 29th May 2023

The Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 7th Forum Medieval Art/Forum Kunst des Mittelalters, Jena, September 25–28, 2024. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.

The theme for the 7th Forum Medieval Art is Light: Art, Metaphysics and Science in the Middle Ages. 

The Mary Jaharis Center invites session proposals that fit within the Light theme and are relevant to Byzantine studies. 

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 29, 2023.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and session chair) up to $500 maximum for participants traveling from locations in Germany, up to $800 maximum for participants traveling from the EU, and up to $1400 maximum for participants traveling from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement. The Mary Jaharis Center regrets that it cannot reimburse participants who have last-minute cancellations and are unable to attend the conference.

For a complete description of the theme, further details, and submission instructions, please visit https://maryjahariscenter.org/sponsored-sessions/7th-forum-medieval-art.

Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture, with any questions.

Please click here for more information.

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Published by Ellie Wilson

Ellie Wilson holds a First Class Honours in the History of Art from the University of Bristol, with a particular focus on Medieval Florence. In 2020 she achieved a Distinction in her MA at The Courtauld Institute of Art, where she specialised in the art and architecture of Medieval England under the supervision of Dr Tom Nickson. Her dissertation focussed on an alabaster altarpiece, and its relationship with the cult of St Thomas Becket in France and the Chartreuse de Vauvert. Her current research focusses on the artistic patronage of London’s Livery Companies immediately pre and post-Reformation. Ellie will begin a PhD at the University of York in Autumn 2021 with a WRoCAH studentship, under the supervision of Professor Tim Ayers and Dr Jeanne Nuechterlein.

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