CFP: ‘Charting Image and Self Image of Islam in Europe’, Collège d’Espagne, Paris, Deadline: 10th March 2022

This conference, organized by IS-LE COST Action (CA18129) Islamic Legacy: Narratives East, West, South, North of the Mediterranean (1350-1750), aims to bring together scholars who work on the perception of Islam in Late Medieval and Early Modern Europe. 

The image of Islam in Europe was usually studied from a Christian-Western point of view, and without a longue durée approach. The aim of this workshop is to create a methodological framework for studying this topic, comparing different case studies through time and space, from the Middle Ages to the end of the Early Modern period, from Iberia to the Balkans, from the Christian and non-Christian point of view. We would like to map this game of perceptions between image and self-image, between identity and representation, breaking with the stereotypes and preestablished ideas and proposing new paths of analysis.

Scholars who have been working on these topics and have material related to them are invited to submit a proposal for consideration.

The themes may include, but are not limited to:
– The Muslim as a literary and historical character.
– Race, religion, and cultural stereotypes. Methodological considerations. 
– Images and self-images of Islam at odds. 
– Key moments and key places of the construction of the image of Islam in Late Medieval and Early Modern Europe.

Deadline and details:
This call for papers is now open for those researchers who are interested to participate in the conference. They are invited to submit their proposals with a title, an abstract (no more than 300 words) and a brief bio (maximum of 15 lines) before March 10, 2022 to: Borja FRANCO LLOPIS (

Reimbursement of expenses:
Due to budgetary reasons, the number of reimbursed participants will be limited. CA1829 might be able to reimburse travel and accommodation expenses to a limited number of researchers not yet affiliated to the Action. Applications should be submitted along with the proposals.

More information: please, see
Working Group: 1
Scientific Coordinators: Youssef El Alaoui ( and Luis Bernabé (


Published by Ellie Wilson

Ellie Wilson holds a First Class Honours in the History of Art from the University of Bristol, with a particular focus on Medieval Florence. In 2020 she achieved a Distinction in her MA at The Courtauld Institute of Art, where she specialised in the art and architecture of Medieval England under the supervision of Dr Tom Nickson. Her dissertation focussed on an alabaster altarpiece, and its relationship with the cult of St Thomas Becket in France and the Chartreuse de Vauvert. Her current research focusses on the artistic patronage of London’s Livery Companies immediately pre and post-Reformation. Ellie will begin a PhD at the University of York in Autumn 2021 with a WRoCAH studentship, under the supervision of Professor Tim Ayers and Dr Jeanne Nuechterlein.

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