Reading, Scholarship and the Art of the Book at Reading Abbey (Reading University, 17 April 2015)

K151514[1]Reading University, Henley Business School, Whiteknights Campus, Room G10

17 April 2015, from 10am
Cost: £15 (including coffee, lunch, tea and wine); £10 for students and unwaged. Please register by contacting GCMS@reading.ac.uk.

Programme

10.00 registration and welcome

10.15-11.15 – Session 1:

Lindy Grant (Reading); ‘Reading Abbey in a cultural and intellectual, international context’.

Tessa Webber (Cambridge); ‘Reading in the Refectory at Reading Abbey’.

11.15-11.45 – coffee

11.45-13.15 – Session 2:

Michael Gullick (independent scholar); ‘Reflections on the Reading Abbey Romanesque Book

Collections and Documents’.

Laura Cleaver (Dublin); ‘History Books at Reading and Bec’.

Anne Lawrence (Reading); ‘The Reading Abbey computus manuscript and its context’.

13.15-14.30 – lunch

14.30-15.30 – Session 3:

Nigel Morgan (Cambridge); ‘The Calendar and Litany of Reading Abbey’.

Cyndy Johnston (London); ‘“In the custom of this country”: The Transmigration of Bolognese

Decorative Style in Thirteenth-Century Oxford and Reading Abbey Manuscripts’.

15.30-16.00 – tea

16.00-17.00 – Session 4:

Catherine Leglu (Reading); ‘An Anglo-Norman translation of the Bible at Reading Abbey: London BL Royal 1 C III’.

Brian Kemp (Reading); ‘The Reading Abbey Formulary’.

17.00 – closing remarks and update on the Reading Abbey ruins; followed by wine reception.


Discover more from Medieval Art Research

Subscribe to get the latest posts sent to your email.

Published by J.A. Cameron

James Alexander Cameron is a freelance art and architectural historian with a specialist background and active interest in architecture and material culture of the parish churches, cathedrals and monasteries of medieval England in their wider European context. He took a BA in art history and visual studies at the University of Manchester, gaining a university-wide award for excellence (in the top 30 graduands of the year 2008/9), and then went to take masters and PhD degrees at The Courtauld Institute of Art, London.

Leave a comment

Discover more from Medieval Art Research

Subscribe now to keep reading and get access to the full archive.

Continue reading