Scholarship: Belle Da Costa Greene Award, The Medieval Academy of America, deadline: 15 February 2022

The Medieval Academy of America will award the Belle Da Costa Greene Award of $2,000 annually to a medievalist of color for research and travel. The award may be used to visit archives, attend conferences, or to facilitate writing and research. 

Special consideration will be given to graduate students, emerging junior scholars, adjunct, and unaffiliated scholars. Applicants must be members in good standing of the Medieval Academy of America as of 15 January of the year in which they apply.

Belle Da Costa Greene (1883-1950) was a prominent art historian and the first manuscript librarian of the Pierpont Morgan collection. She was also the first known person of color and second woman to be elected a Fellow of the Medieval Academy of America (1939).

According to the Morgan Library & Museum website, “Greene was barely twenty when Morgan hired her, yet her intelligence, passion, and self-confidence eclipsed her relative inexperience, [and] she managed to help build one of America’s greatest private libraries.” She was, just as importantly, a black woman who passed as white in order to gain entrance and acceptance into the racially fraught professional landscape of early twentieth-century New York. Her legacy highlights the professional difficulties faced by medievalists of color, the personal sacrifices they make in order to belong to the field, and their extraordinary contributions to Medieval Studies.

The deadline for applications is 15 February 2022.

The application will consist of a biographical form, CV, a one-page proposal, and a simple budget. Letters of recommendation (no more than two) are optional. So as not to burden the applicant, it is perfectly appropriate to include material and letters prepared for other grant applications. Applicants must be members in good standing of the Medieval Academy as of 15 January of the year in which they apply.

Click here to read about previous winners.

To apply, click here.

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Published by Dr Julia Faiers

Julia Faiers received her PhD from the University of St Andrews in 2021. She wrote her thesis on the art patronage of Louis d’Amboise, bishop of Albi from 1474 to 1503, under the supervision of Professor Kathryn Rudy. Her postdoctoral research includes the nineteenth-century reception of medieval art and architecture, and late-medieval female art patronage in France. Julia gained a First Class Honours degree in art history at the University of St Andrews (1995). She won a British Academy Award to study for her MA in German Expressionism at The Courtauld under the supervision of Dr Shulamith Behr (1997), and spent almost twenty years working as a journalist before returning to academia in 2016.

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