Online Lecture: ‘Go Forth and Learn’ The Artist Joel Ben Simeon and a Newly Discovered Hebrew Manuscript, Fordham University & Les Enluminures, October 22, 1:00 PM (ET)

Watch a short video here to see an introduction to the newly discovered manuscript.

Born in Germany, where he trained as an artist and scribe and from where he was probably expelled, Joel ben Simeon spent most of his itinerant career in the book arts in northern Italy.  We perhaps know more about him – from his colophons and his signed works – than any other illuminator-scribe, Jewish or Christian, in the fifteenth century.  He depicts himself as a traveler in one manuscript next to the words “Go forth and learn,” which we hope to accomplish in this Webinar. The discovery of a new manuscript with more than 300 drawings by his hand prompts a reassessment of his career at a time of great religious uncertainty, economic opportunity, and cultural exchange

Speakers: 

Keynote: Professor Katrin Kogman-Appel, University of Muenster, Institut fur Judische Studien, previously taught at Ben-Gurion University of the Negev (1996-2015). Professor Kogman-Appel has published extensively on medieval Jewish art and book culture and is particularly interested in Hebrew manuscript illumination and its cultural and social contexts. 

Professor Lucia Raspe, Goethe Universitaet, Frankfurt am Main. Professor Raspe has published widely on late medieval and early modern Jewish communities, including the migration of German Jews to Italy, on manuscript and print culture.  

This event is a joint program between Fordham Jewish Studies and Les Enluminures, organized by Sandra Hindman, Professor Emerita of Art History, Northwestern University, and President and Founder, Les Enluminures and Sharon Liberman Mintz, Curator of Jewish Art, The Library of the Jewish Theological Seminary, and Senior Consultant, Judaica, Sotheby’s

To register, follow this link.

Published by Ellie Wilson

Ellie Wilson holds a First Class Honours in the History of Art from the University of Bristol, with a particular focus on Medieval Florence. In 2020 she achieved a Distinction in her MA at The Courtauld Institute of Art, where she specialised in the art and architecture of Medieval England under the supervision of Dr Tom Nickson. Her dissertation focussed on an alabaster altarpiece, and its relationship with the cult of St Thomas Becket in France and the Chartreuse de Vauvert. Her current research focusses on the artistic patronage of London’s Livery Companies immediately pre and post-Reformation. Ellie will begin a PhD at the University of York in Autumn 2021 with a WRoCAH studentship, under the supervision of Professor Tim Ayers and Dr Jeanne Nuechterlein.

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