Updates to the Courtauld Gothic Ivories Project

842c7f1b9abba1df88e72283c744c5b2ddfef182[1]The Gothic Ivories team is delighted to announce that 700 ‘new’ ivory carvings from over 60 different collections are now available online as part of the Gothic Ivories website! (www.gothicivories.courtauld.ac.uk)

Highlights include the Musei Vaticani in Rome, the Schnütgen Museum in Cologne, The Burrell Collection in Glasgow, the Bonnefanten Museum in Maastricht, important collections in Madrid such as the Fundación Lázaro Galdiano and the Instituto Valencia de Don Juan, Scandinavian collections, from Copenhagen to Oslo, and from Stockholm to Lund, the Museo di Capodimonte and Museo di Duca di Martina in Naples, the Czartoryski Museum in Cracow, the Museum of Applied Arts in Budapest, the Musée de l’Hôtel Sandelin in Saint-Omer, as well as many smaller and unexpected collections in Brie-Comte-Robert, Capri, etc.!

The Project was launched in October 2008 at the Courtauld Institute of Art.
It consists of an online database of ivory sculptures made in Western Europe ca. 1200-ca. 1530, as well as neo-Gothic pieces.


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Published by J.A. Cameron

James Alexander Cameron is a freelance art and architectural historian with a specialist background and active interest in architecture and material culture of the parish churches, cathedrals and monasteries of medieval England in their wider European context. He took a BA in art history and visual studies at the University of Manchester, gaining a university-wide award for excellence (in the top 30 graduands of the year 2008/9), and then went to take masters and PhD degrees at The Courtauld Institute of Art, London.

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