Seminar: ‘The Cleveland Fountain (Paris, 1320 ca.) and Multisensory Art History’, by Philippe Cordez and Gerhard Lutz, University of Padua, 30 November 2022, 17:00 CET

The hydraulic and musical fountain in the Cleveland Museum of Art offers a perfect opportunity for theoretical reflection and practical experimentation in multisensory art history. It is a unique device of gilt and enamelled silver made in Paris ca. 1320. As exposed in a recent essay, a close comparison with the Fountain of Youth presented in text, image, and music in the Roman de Fauvel – a political satire recorded in a manuscript of 1317 (Bibliothèque Nationale de France, ms. fr. 146) – suggests that the same group of intellectuals and artists was involved with both creations. Indeed, the Cleveland fountain multisensorially evokes the Parisian royal palace as a divine Fountain of Youth rejuvenating the French Kingdom. Collaborative research with the Cleveland Museum of Art, using digital tools, aims at deepening our knowledge of the fountain’s material constitution, historical context, and festive performance.

Sponsored by the ERC-StG Project “The Sensuous Appeal of the Holy. Sensory Agency of Sacred Art and Somatised Spiritual Experiences in Medieval Europe (12th-15th century) – SenSArt”; P.I. Zuleika Murat. This project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No 950248).

The event will be held both in person and virtually via Zoom. Please send an email to Valentina Baradel (valentina.baradel@unipd.it) to register for online attendance.

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Published by charlottecook

Charlotte Cook graduated magna cum laude with a Bachelor’s degree in European History from Washington & Lee University in 2019. In 2020 she received her Master’s degree in History of Art from the Courtauld Institute of Art, earning the classification of Merit. Her research explores questions of royal patronage, both by and in honor of rulers, in fourteenth- and fifteenth-century England. She has worked as a researcher and collections assistant at several museums and galleries, and plans to begin her PhD in the autumn of 2022.

One thought on “Seminar: ‘The Cleveland Fountain (Paris, 1320 ca.) and Multisensory Art History’, by Philippe Cordez and Gerhard Lutz, University of Padua, 30 November 2022, 17:00 CET

  1. Would appteciate an ihvitation to the Cleveland Fountain seminar, though  I am having trouble at this point updating my Zoom account. Best,Carla Lord, Ph.D in Art HistoryColumbia University

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