Lecture: ‘Image, Pattern, Repetition: The Craft of Romanesque Sculpture in Southwest England’, by Dr Alex Woodcock, The Courtauld Institute of Art, 21st April 2022, 18:00 GMT

Repetition is a crucial aspect of the Romanesque sculptural repertoire. Geometric patterns are a good example, both visually arresting and highly flexible, able to be used across all manner of architectural features from fonts to doorways to individual carved stones. Their ubiquity, however, coupled with a broader legacy of understanding the decorative as secondary to figurative works, has, perhaps, left a lingering cloud of under-appreciation. Drawing upon material from Devon and Cornwall, English counties rich in daisywheel, palmette, star and many other motifs, this lecture explores how we might consider the nuances of repeated forms and their production. Combined with insights taken from craft processes and working stone it will consider just what repetition – in both process and output – might be able to reveal about the Romanesque southwest and its sculpture, along the way seeking new contexts for little-known works, their producers and patrons.

Dr Alex Woodcock is a writer, tutor and former cathedral stonemason. Following his PhD in medieval sculpture he spent six years working at Exeter Cathedral during which time he contributed to major projects including the conservation of its west front. His written work includes academic articles as well as books aimed at a general readership such as Gargoyles and Grotesques (Bloomsbury, 2011), Of Sirens and Centaurs (Impress, 2013) and King of Dust (Little Toller, 2019). In 2015 his essay on the Romanesque sculpture of Cornwall won the Cardew-Rendle history prize. He teaches on the Cathedrals’ Workshop Fellowship degree and is a fellow of the Society of Antiquaries.

Organised by Dr Rose Walker (The Courtauld) and the Corpus of Romanesque Sculpture in Britain and Ireland.

Register here.


Published by charlottecook

Charlotte Cook graduated magna cum laude with a Bachelor’s degree in European History from Washington & Lee University in 2019. In 2020 she received her Master’s degree in History of Art from the Courtauld Institute of Art, earning the classification of Merit. Her research explores questions of royal patronage, both by and in honor of rulers, in fourteenth- and fifteenth-century England. She has worked as a researcher and collections assistant at several museums and galleries, and plans to begin her PhD in the autumn of 2022.

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