Open Access Journal: ‘Fenestella. Inside Medieval Art’ – Issue 2-2021.

Fenestella is a scholarly and peer-reviewed open access journal. It is published by Milano University Press, and powered by OJS 3. Issue 2 – 2021 was published on December 28th and can be viewed here: https://riviste.unimi.it/index.php/fenestella/issue/view/1760

Fenestella publishes scholarly papers on medieval art and architecture, between Late Antiquity and c. 1400, covering the Latin West, the Byzantine East and medieval Islam. The journal aims to consider medieval artefacts from within, as if seen through a fenestella confessionis, in order to throw light on iconography, function and liturgical practice and space. Fenestella supports original research, favouring an inter- and trans-disciplinary approach arising from the horizon and methodology of art history. Papers on wide-ranging themes, critical reviews and studies of micro-topics are all welcome, as long as they contribute to debate at an international level.

Fenestella accepts papers in Italian, English, French, German and Spanish, with abstracts in English. Submissions that satisfy a preliminary review by the editorial staff are then peer-reviewed by anonymous reviewers. After final acceptance and copyediting each article is given a DOI number, to be immediately published and indexed. Articles published during a calendar year are collected in an annual issue. Each article is freely accessible and shareable according to the license CC BY SA 4.0.

The editorial board is also currently accepting submission for Issue 3/2022. Submission Deadline: 30 June 2022. Submission guidelines can be found here.

Published by Dr. Blair Apgar

Blair (they/them) recently completed their PhD in History of Art at the University of York with Hanna Vorholt and Amanda Lillie. Their thesis focused on the role of Matilda of Canossa in the sociopolitical development of the Investiture Controversy, and its relationship to Matilda’s material patronage. As an early career researcher, their work aims to unpack the historiographic construction of powerful medieval women’s legacies. They are also interested in the representation of the Middle Ages in modern media such as video games.

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