In November 2015 Lloyd de Beer and Naomi Speakman of the British Museum treated Courtauld staff and students to another handling session, this time of a diverse range of objects with the iconography of the Agnus Dei. The session was kindly led by Irene Galandra Cooper, who is studying the Agnus Dei as part of her PhD, which forms part of the Domestic Devotions project at Cambridge: Domestic Devotions: The Place of Piety in the Italian Renaissance Home, 1400-1600.
Throughout the Middle Ages and Early Modern period the Agnus Dei iconography was closely associated with the wax discs made from the remains of the Paschal candles at St Peter’s, stamped with the Lamb of God, and distributed by the Papacy as gifts. This 16c print gives a sense of the near-industrial scale of this operation, while a number of Agnus Dei medallions and pendants testify to the apotropaic associations these objects soon acquired. We also looked at this niello plate medallion inscribed with the YHS, a late medieval pilgrim badge, an Agnus Dei seal impression, a reliquary case and 14c signet ring. As ever, it was the moulds that provoked particular discussion:
The lower of these two, apparently cast in bronze, appears to have a number of low relief moulds in which soft lead could be pressed, presumably to make brooches and badges to be pinned to clothes and hats. This record of the kinds of ephemeral objects that rarely survive raised lots of questions: who would use a mould like this, and what market does it attest to? Did these badges signal political and social affiliations, religious beliefs, or something more superficial? The wonderful fragment of a Wheel of Fortune was thought particularly intriguing.
In preparation for this session we read the following texts:
Lightbown, Chapter 22, ‘Pendants: II’, Medieval European Jewellery, Victoria & Albert Museum, 1992
Cherry, ‘Containers for Agnus Dei’, Through a Glass Brightly: Studies in Byzantine and Medieval Art and Archaeology Presented to David Buckton, ed. C. Entwistle, Oxford, 2003, 171-84
S. Bertelli, Chapter 1, The King’s body : the sacred rituals of power in medieval and early modern Europe; translated by R. Burr Litchfield, Pennsylvania State University Press, 2001.
Medieval Art Research 