Monumental and Miniature, Light and Sound: Pacino di Bonaguida at Santa Croce

Santa Croce in Florence's avatarThe Basilica of Santa Croce in Florence

                        Pacino 1b

Italian Renaissance churches and the museums connected to them house impressive but often overlooked treasures in a variety of media: paint, stone, textile, glass, parchment, and precious metals and gems.  Within the walls of the Museum, Archive, and Church of Santa Croce in Florence is a group of artworks created by Pacino di Bonaguida (about 1303-about 1347) and his workshop.  Once one looks past the impressive fresco cycles by Giotto, Taddeo Gaddi, Bernardo Daddi and others, and after using a bit of imagination to envision what the church looked like before Giorgio Vasari’s renovations in the 16th century and the Neoclassical revolution of the 18th and 19th centuries, one finally encounters sets of stained glass windows and a pair of choir books that have survived the Black Death, floods, and a world war.  In the…

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Published by J.A. Cameron

James Alexander Cameron is a freelance art and architectural historian with a specialist background and active interest in architecture and material culture of the parish churches, cathedrals and monasteries of medieval England in their wider European context. He took a BA in art history and visual studies at the University of Manchester, gaining a university-wide award for excellence (in the top 30 graduands of the year 2008/9), and then went to take masters and PhD degrees at The Courtauld Institute of Art, London.

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