The Bibliotheca Hertziana owes its existence to the generosity of Henriette Hertz (1846–1913), who provided the Palazzo Zuccari – complete with a well-stocked specialist library and an extensive photographic collection – as the seat of the research institute. The institute’s excellent library and comprehensive photographic collection, not to mention its proximity to objects, monuments, archives and museums, conservation authorities, universities and international institutions in Rome make the Hertziana one of the world’s most renowned research institutes for Italian and, more specifically, Roman history of art.
The British Library is the national library of the United Kingdom. The library is a major research library, holding over 150 million items from many countries, in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library’s collections include around 14 million books, along with substantial holdings of manuscripts and historical items dating back as far as 2000 BC. The British Library is one of the two largest libraries in the world, the other being the Library of Congress of the United States.
The Centre d’études supérieures de civilisation médiévale is a research institution based at the University of Poitier, dealing with all aspects of medieval civilisation. Apart from its focus on research, the center also focuses on teaching, publishing and documenting with and for the research community.
The Courtauld Institute of Art is one of the world’s leading centres for the study of the history and conservation of art and architecture, and its Gallery houses one of Britain’s best-loved collections. Based at Somerset House, The Courtauld is an independent college of the University of London.
Dumbarton Oaks Research Library and Collection is an institute of Harvard University dedicated to supporting scholarship internationally in Byzantine, Garden and Landscape, and Pre-Columbian studies through fellowships, meetings, exhibitions, and publications.
The Getty Research Institute is dedicated to furthering knowledge and advancing understanding of the visual arts and their various histories through its expertise, active collecting program, public programs, institutional collaborations, exhibitions, publications, digital services, and residential scholars programs. Its Research Library and Special Collections of rare materials and digital resources serve an international community of scholars and the interested public. The Institute’s activities and scholarly resources guide and sustain each other and together provide a unique environment for research, critical inquiry, and scholarly exchange.
Illuminare — Centre for the Study of Medieval Art is located in the Central Library of the University of Leuven. It is a university research and documentation centre, accessible for academics and students. The research of Illuminare is founded upon reception history and the contextual meaning of Early Netherlandish Art; technical research, conservation and cataloging of illuminated manuscripts and the iconology of the Middle Ages from an interdisciplinary perspective (Iconology Research Group). Research is made possible under the auspices of research and doctoral projects. Illuminare is the publisher of three of its own series, the Corpus of Illuminated Manuscripts, Art and Religion (IRG) and Iconologies (IRG).
The French Institut National d’Histoire de l’Art is a public corporation set up in 2001, in order to carry out scientific activity and to contribute to international scientific cooperation in the history of art, archaeology and cultural heritage. It conducts research, provides training, and spreads knowledge.
The International Center of Medieval Art is formed are to promote and encourage the study, understanding, and appreciation of the visual arts of the Middle Ages produced in Europe, the Mediterranean region, and the Slavic world, during the period between ca. 300 and ca. 1500 C.E.; and to this end to sponsor and otherwise support study, teaching, conferences, exhibitions, displays, and publications devoted to medieval art and culture.
The Kunsthistorisches Institut in Florenz is one of the oldest research institutions dedicated to the History of Art and Architecture in Italy, where facets of European, Mediterranean and global history are subject to close scrutiny. Founded in 1897 on the private initiative of a group of independent scholars, it has been under the auspices of the Max Planck Society since 2002. In addition to numerous individual research projects, those funded by third parties and a multiplicity of international collaboration with universities, museums and research institutes, Kunsthistorisches Institut in Florenz provides a platform for larger long- and medium-term projects whose subject matter ranges from Late Antiquity to the Modern Age. The Institute’s resources, including the library with over 290,000 volumes, some of which are extremely rare, over 1,070 ongoing journal subscriptions, and one of the most wide-ranging photographic libraries on Italian art, are placed at the disposal of researchers from all over the world.
The National Art Library is a major public reference library for the fine and decorative arts, and is the V&A’s curatorial department for the art, craft and design of the book.
The Warburg Instituteis concerned mainly with cultural history, art history and history of ideas, especially in the Renaissance. It aims to promote and conduct research on the interaction of cultures, using verbal and visual materials. It specialises in the influence of ancient Mediterranean traditions on European culture from the Middle Ages to the modern period. Its open–access library has outstanding strengths in Byzantine, Medieval and Renaissance art, Arabic, Medieval and Renaissance philosophy, the history of religion, science and magic, Italian history, the history of the classical tradition, and humanism.
The Zentralinstitut für Kunstgeschichte in Munich is the only extra-universitary art historical research institute in Germany. It houses one of the largest specialised libraries in art history and an important photography collection.
The British Archaeological Association was founded in 1843 to promote the study of archaeology, art and architecture and the preservation of our national antiquities. It encourages original research and publishes new work on the history of architecture, art and antiquities of Roman to post-medieval date.
The Association embraces a wide spectrum of antiquarian and art historical interests, with architectural history, particularly of the medieval period, strongly represented. Archaeology is defined very broadly: in addition to traditional archaeological excavation, it is taken to encompass the study of standing buildings and a wide range of furnishings and artefacts. This breadth of interest continues the tradition of the founders of the Association who viewed buildings, written records and artefacts as equally valid evidence of the historical past and as falling within the remit of archaeology.
A major strength of the Association is the encouragement of debate across different disciplines: at the monthly lectures held in London from October to May, at the annual four-day medieval conference (whose proceedings are published for the benefit of members at large); at occasional study days and through papers published in the annual journal.
The Association has a long tradition of amateur involvement and offers opportunities for interested amateurs to meet and talk to professionals in an informal and friendly atmosphere.
The Monumental Brass Society was founded in 1887 by a group of Cambridge undergraduates keen to preserve and record monumental brasses. Initially it was known as the Cambridge University Association of Brass Collectors. Later it was renamed the Monumental Brass Society. From a membership of 60 in 1887, the Society has grown to around 500 today. Early research into brasses focussed chiefly on English brasses of the medieval and early modern periods. Today, however, the field is much wider. Chronologically it extends to brasses of the nineteenth and twentieth centuries, and geographically to those of Continental Europe and beyond. Incised slabs are also the subject of growing interest. Areas of current research include the artistic context of brasses, workshop organisation and the self-image of the commemorated.
The Société Française d’Archéologie (Bulletin Monumental) is an organisation that represents both professionals working in the fields of archeology, art history, architects and conservation and ‘amateurs’ interested in these fields. The society also publishes the Bulletin Monumental, a trimestrial journal dealing with heritage and architecture from the Middle Ages to the 20th century.
The Society for the Promotion of Byzantine Studieswas established in 1983, with the object of furthering study and knowledge of the history and culture, language and literature of the Byzantine Empire and its neighbours. Its scope is wide, covering history, archaeology, art history, philology, theology and literary studies, and embraces all the language areas formerly within the Byzantine Empire – Syriac, Armenian, Arabic and Slavic, as well as Greek and Latin.
The Vernacular Architecture Groupwas formed in 1952 to further the study of traditional buildings, originally those of the British Isles. In recent years, its membership and publications have also reflected a growing interest in buildings from other parts of the world. Members are involved in all aspects of the recording and study of vernacular buildings including detailed local or regional surveys, studies of particular types of buildings including houses, farms, industrial and urban buildings, building materials, techniques of building, including carpentry and masonry, and documentary evidence.
Mediävistenverband(Medievalists’ Society) was founded in 1983 with the aim of providing a forum for all disciplines concerned with the Middle Ages, and through its focus on co-operative interdisciplinary work, of achieving a better understanding of this period and its culture. Today the Mediävistenverband is the largest society of medievalists in Germany with over 1,000 members from different countries representing a spectrum of subjects that ranges from archaeology to theology.
British Museum Collections Online: The Museum’s entire digitised database to date can be found here. New records and images are being added every week. When complete the database will contain a record of every object in the Museum collection, with associated conservation and scientific reports where available.
Belgian Art Links and Tools– Belgium’s art history in a single click, nearly 650 000 free downloadable photos, from the Koninklijk Instituut voor het Kunstpatrimonium.
The Gothic Ivories Project was launched in October 2008 at the Courtauld Institute of Art. It consists of an online database of ivory sculptures made in Western Europe ca. 1200-ca. 1530, as well as neo-Gothic pieces.
LACMA: The Los Angeles County Museum of Art’s collections online.
V&A Museum Collections Online is a working database providing online access to over 1.1 million catalogue records and over 293,000 images of objects in the V&A’s collection. New text and images are added each month.
Medieval Electronic Scholarly Alliance:MESA is a federated international community of scholars, projects, institutions, and organisations engaged in digital scholarship within the field of medieval studies. MESA seeks to provide a community for those engaged in digital medieval studies and to meet emerging needs of this community, including making recommendations on technological and scholarly standards for electronic scholarship, the aggregation of data, and the ability to discover and repurpose this data.
The Online Collections of the National Gallery of Art, Washington: NGA Images is a repository of digital images of the collections of the National Gallery of Art. On this website you can search, browse, share, and download images. More than 32,000 open access digital images up to 3000 pixels each are available free of charge for download and use.
Prometheus is a distributed digital image archive that currently connects 75 databases from institutes, research facilities and museums on a common user interface.
Historical soundscapes of Andalusia (c.1200 – c.1800)– This is a website designed to explore historical urban soundscapes in Andalusian cities, aided by the outreach potential made possible through new technologies. This innovative approach will allow users to recreate music of the past in historical locations through the use of online interactive maps with digital resources (documents, videos, sounds, etc.). The contents aim to be inclusive and help achieve a better understanding of urban culture, establishing an aesthetic and intellectual dialogue with their sensorial aural history through an interdisciplinary approach that brings together urban musicology with areas including cultural history and art history, among others. Our main aim has been to create a digital platform to map the soundscapes of the cities of Granada and Seville as a paradigm that should prove adaptable to any urban centre over different historical periods. This platform is intended to be a useful and innovative tool for the educational institutions (from primary to tertiary education), museums, tourist boards, etc. of different cities.
Spotting History: an independent site to provide reliable travelling tips to historic sites and sights all around the world. The site is made by individuals interested in history and historic places all around the world. The purpose is to provide an easy-use, map-based service to help people find interesting places to visit on their journeys.
Monastic Matrix: a scholarly resource for the study of women’s religious communities
Ards: The Platform for Medieval sculpture: a network platform aiming to generate and promote knowledge about Western European medieval and Renaissance sculpture. Its goal is to increase the interest from both specialists and the broader public in this segment of Art History.