Category Archives: Conference

CFP: BAA Post-Graduate Conference, Saturday 23rd November 2019 (Deadline: 6th May 2019)

The BAA invites proposals by postgraduates and early career researchers in the field of medieval history of art, architecture, and archaeology.

Papers can be on any aspect of the medieval period, from antiquity to the later Middle Ages, across all geographical regions.

The BAA postgraduate conference offers an opportunity for postgraduate students and early career researchers at all levels from universities across the UK and abroad to present and discuss their research, and exchange ideas.

Proposals of around 250 words for a 20-minute paper, along with a CV, should be sent by 6th May 2019 to postgradconf@thebaa.org

 

BAA call for papers

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Scholarship: British Archeological Association Shrewsbury Conference 2019

Student Scholarships available for the British Archeological Association’s Shrewsbury Conference, 15-19 July, 2019

BAAThe 2019 BAA Conference will explore the art, architecture and archaeology of medieval Shrewsbury and north Shropshire. Lectures will include papers on subjects as varied as late Roman Shropshire, Shrewsbury’s medieval topography, the patronage, art, architecture and archaeology of medieval churches in and around Shrewsbury, stone sculpture, alabasters, roof bosses, seals, and nineteenth-century antiquarianism.

Site visits will include St Mary’s, St Alkmund, Bear Steps, the Town Walls and Shrewsbury Abbey, while there will be two coach excursions (one full & one half-day) outside Shrewsbury. These will encompass Acton Burnell (church and castle), Wenlock Priory, Buildwas Abbey, Haughmond Abbey, Atcham, Shifnal, and Tong.

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CFP: St Andrews Institute of Medieval Studies Graduate Conference (6-8 June, 2019)

St Andrews Institute of Medieval Studies Graduate Conference

6 – 8 June, 2019

Deadline: 31 March, 2019

K104208

The British Library, Egerton 2899, Psalter of the Gallican Version, Scotland, 15th century, f. 30, detail.

We are announcing a call for papers for the second St Andrews Institute of Medieval Studies (SAIMS) Graduate Conference. This three-day conference is aimed at graduate students and early career researchers in any area of Medieval Studies. The second day of the conference will be devoted to the theme Politics and Political Thought and we would particularly welcome abstracts related to this topic from scholars working in any of the fields mentioned below. We aim to encompass a range of historical perspectives, from art to archeology, law to literature.

The keynote addresses will be delivered by Professor Carole Hillenbrand (Edinburg & St Andrews) and Dr Charles West (Sheffield).

Proposals relating to the following fields of research are especially welcome:

  • Eastern Mediterranean studies
  • Art and architecture
  • The church and religious life
  • Crusading
  • Late Antiquity
  • Latin poetry
  • Law
  • Middle Eastern studies
  • Philosophy
  • Rulership and lordship
  • Scottish history
  • Texts and manuscripts

It is anticipated that there shall be no registration free and that some travel bursaries will be available. Papers should be a maximum of 20 minutes in length.

Please email 250-word abstracts to saimsgraduateconference@gmail.com by 31st March 2019.

CONF: Remembering the Middle Ages? Reception, Identity, Politics

Conference & Poetry Reading: Remembering the Middle Ages?

April 5-6, 2019

2 Locations:

Bush House, Aldwych, King’s College London
The London Global Gateway, 1-4 Suffolk Street, University of Notre Dame

A partnership between the University of Notre Dame (London Global Gateway) and King’s College London, ‘Remembering the Middle Ages? Reception, Identity, Politics’ asks speakers and attendees to consider how the concept of a ‘cultural memory’ of the Middle Ages can be useful (or not) in understanding how and why scholars, artists, readers, and others have resourced or imagined the Middle Ages, in any post-medieval period. We ask participants to interrogate the linguistic, material, and social networks that have been created by medieval things over time. Haruko Momma (University of Toronto) and Sarah Salih (King’s College London) will give a keynote panel, and the event also includes a reading featuring poets Vahni Capildeo and Ian Duhig and chaired by Professor Clare Lees (Director of the Institute for English Studies). Further details are forthcoming at our website: http://sites.nd.edu/remembering-the-middle-ages.

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CONF: SAH 2019 Annual International Conference (Providence, 24-28 Apr 19)

Society of Architectural Historians Annual International Conference, 2019

Providence, RI, April 24 – 28, 2019

Architectural and art historians, architects, preservationists and museum professionals from around the world will meet in Providence, R.I., April 24–28, 2019, for the 72nd Annual International Conference of the Society of Architectural Historians. Over 600 SAH members will convene at the Rhode Island Convention Center to share new research on the history of the built environment and address current issues in the field in paper sessions, roundtables, workshops, and panel discussions.

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CFP: Revolution and Revolutions in Art (Ljubljana, 12-14 Sep 19)

5th International Conference for PhD Students and Recent PhD Graduates: “Revolution and Revolutions in Art”

Deadline: Apr 15, 2019

The University of Ljubljana, The Center for Iconographic Studies, The University of Belgrade, and The University of Split, introduce their 5th International Conference for PhD students and Recent PhD graduates, Revolution and Revolutions in Art. Challenging PhD students, young researchers and scholars from different fields of humanities and social sciences, the conference seeks to address a multitude of questions, dilemmas, perspectives and problems related to the idea of revolution in art. We welcome theoretical, empirical and methodological papers addressing the theme. We also encourage different aspects and approaches and especially invite submissions that address the following topics:

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Conference: Scaling the Middle Ages: Size and Scale in Medieval Art, The Courtauld Institute, London, 8 February 2019

image-1024x745The Courtauld Institute of Art 24th Annual Medieval Postgraduate Student Colloquium 

Scaling the Middle Ages: Size and scale in medieval art 

10:00–18:00 Friday 8 February 2019 (with registration from 9:30) 

Lecture Theatre 1, The Courtauld Institute of Art, Vernon Square, Penton Rise, London WC1X 9EW 

Size mattered in medieval art. Whether building a grand gothic cathedral or carving a minute boxwood prayer bead, precisely how big to make it was a principal concern for medieval artists, their patrons, and audiences. 

Examples of simple one-upmanship between the castles and palaces of lords and kings and the churches and cathedrals of abbots and bishops are numerous. How big to make it was a principal concern for both patrons and makers of medieval art. 

Scale could be manipulated to dramatic effect in the manufacture of manuscripts and the relative disposition of elements within their decorative programmes. Divine proportions – of the Temple of Solomon or the Church of the Holy Sepulchre – were evoked in the specific measurements and configuration of contemporary buildings and decisions were made based on concern with numbers and number sequences. 

Left: North elevation (detail), Sainte Chapelle, Paris (1239-1248). Right: Reliquary of Saints Maxien, Lucien, and Julien (Paris, 1261-1262) Musée nationale du Moyen Âge, Paris. 

In our age of viewing through digital surrogates, the Courtauld Institute of Art’s 24th Annual Medieval Postgraduate Student Colloquium invites its speakers to consider new approaches to issues of size and relative scale in relation to the making, meanings, and study of medieval art. 

The Medieval Postgraduate Colloquium offers the opportunity for research students at all levels from universities across the UK and abroad to present and promote their research. 

Organised by Teresa Lane (The Courtauld Institute of Art) and Oliver Mitchell (The Courtauld Institute of Art) with the generous support of Michael Carter and the Consortium for Arts and Humanities in South-East England.

Programme: Scaling the Middle Ages: Size and scale in medieval art 

9:30-10:00 Registration – Front hall 

10:00-10:10 Welcome – Teresa Lane & Oliver Mitchell (The Courtauld Institute of Art) 

SESSION 1: ARCHITECTURAL MINIATURES Chaired by Giosue Fabiano (The Courtauld Institute of Art) 

10:10-10:30 Sylvia Alvares-Correa (University of Oxford): The use of architecture in a 15th century panorama of the Passion of Christ in Jerusalem: structuring composition or ideology? 

10:30-10:50 Niko Munz (University of York): Architectural ventriloquism in pre-Eyckian panel painting 

10:50-11:10 Antonella Ventura (Independent scholar) Playing with scales: Relationships between monumental architectures and reliquary structures in Umbria and Apulia in the fourteenth century 

11:10-11:30 Discussion 

11:30-12:00 Tea & coffee break (Research Forum Seminar Room, Floor 2) 

SESSION 2: SCALE MODELS Chaired by Bella Radenovic (The Courtauld Institute of Art) 

12:00-12:20 Angela Websdale (University of Kent): Replication and Reproduction: Evoking the Cult of St Edward the Confessor and the Visual Culture of Westminster Abbey and Palace at St Mary’s Church, Faversham 

12:20-12:40 Francesco Capitummino (Independent scholar): The ambo of the Capella Palatina in Palermo, a reduced scale of the Cefalù prototype 

12:40-13:00 Discussion 

13:00-14:00 Lunch (provided for speakers and chairs – Seminar Room 9, Floor 2) 

SESSION 3: THE SCALE OF DEVOTION Chaired by Chloe Kellow (The Courtauld Institute of Art) 

14:00-14:20 Sheridan Zabel Rawlings (University of Manchester): Scale matters: The intentional use of size to depict Christ in John Rylands Library’s Latin MS 344 

14:20-14:40 Matko Marušić (University of Zagreb): Medieval crosses: Scale, typology, materials 

14:40-15:00 Harry Prance (The Courtauld Institute of Art): Miniature materials/ concrete connections: The spaces of Byzantine liturgical objects 

15:00-15:20 Discussion 

15:20-15:50 Tea & coffee break 

SESSION 4: AMPLIFICATION & DISSEMINATION Chaired by Laura Melin (The Courtauld Institute of Art) 

15:50-16:10 Charlotte Wytema (The Courtauld Institute of Art), From abstract idea to scaled-up image: The case of the Virgin with fifteen symbols 

16:10-16:30 Nicolas Flory (The Courtauld Institute of Art), Scaling Patronage in the Duchy of Burgundy: Isabella of Portugal and her Carthusian donations 

16:30-16:50 Discussion 

16:50-17:00 Closing remarks by Professor Joanna Cannon (The Courtauld Institute of Art) 

17:00 Reception With special thanks to Michael Carter for his generous support