As part of its ongoing commitment to Byzantine studies, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 44th Annual Byzantine Studies Conference to be held in San Antonio, TX, October 4–7, 2018. We invite session proposals on any topic relevant to Byzantine studies.
London, The Courtauld Institute of Art and King’s College London
Deadline: May 1, 2017
Association for Art History Annual Conference 2018, Call for Sessions
‘LOOK OUT!’ is the theme of the Association for Art History’s Annual Conference , co-hosted by the Courtauld Institute of Art and King’s College London, from April 5 – April 7 2018.
• Incorporating a whole range of outlooks – of educators, curators and heritage partners, of university and other teachers and researchers in art history and other disciplines, and of artists themselves.
• Challenging you to think about art history’s global reach and connections with other affiliated subjects in the arts, humanities and sciences.
• Inviting new perspectives on international collaborations within the field in the context of current political events.
• Encompassing examination of the histories and futures of art historical practices, and the opportunities and challenges of broader political and public engagement.
• Other creative and innovative ways of interpreting the theme are enthusiastically encouraged!
We aim to include contributions from those engaged in all aspects of research involving art history and visual culture.
DEADLINE for academic and alternative session proposals: May 1st 2017
Christie’s Education New York, June 26 – 27, 2018
Deadline: Jul 15, 2017
Celebrating Female Agency in the Arts
Call for Sessions
Following the success of the 250-anniversary conference held in London
in July 2016, Christie’s Education is organizing its second academic
conference on the theme of women in the arts. The Conference will take
place at Christie’s, 20 Rockefeller Plaza in New York on Tuesday June
26th and Wednesday June 27th 2018.
From Antiquity to today, women have always played a significant role in
the arts and their markets. With this call for sessions, we welcome
proposals coming from a wide range of disciplines that would consider
women’s diverse contributions to the arts from a transnational and
transhistorical perspective. We hope that the sessions will reflect the
global and historical diversity of the issues at stake.
This conference is not advocating for a separate history nor an
alternative history of art and its markets, but rather we want to look
at the central role played by women in the creation, development,
support and preservation of the arts and, also how their contribution
has changed over time.
Sessions should consider globally and throughout history women as
artists, patrons and collectors of art and architecture, dealers and
brokers, art historians and art critics as well as curators and
preservers of culture. From the presence of women in emerging and
established art centers to historical aristocratic patronage and back
in time to the medieval period and antiquity we hope that the sessions
will investigate a diverse range of topics.
Deadline for Session Proposals:
We encourage academics across disciplines and art professionals to
submit proposals for individual sessions. Sessions will be 115 (4 x 20
minute papers) or 90 minutes (3 x 20 minute papers) in length. Please
send a 250/300-word abstract to Dr. Cecily Hennessy
(firstname.lastname@example.org) and Dr. Véronique Chagnon-Burke
(email@example.com) by July 15th 2017.
Call for Papers: Special thematic strand: ‘Otherness,’ International Medieval Congress, University of Leeds, 3–6 July 2017
Deadline for paper proposals: 31 August 2016.
Deadline for session proposals: 30 September 2016.
The IMC provides an interdisciplinary forum for the discussion of all aspects of Medieval Studies. Paper and session proposals on any topic related to the Middle Ages are welcome.
However, every year, the IMC chooses a special thematic strand which – for 2017 – is ‘Otherness’. This focus has been chosen for its wide application across all centuries and regions and its impact on all disciplines devoted to this epoch.
‘Others’ can be found everywhere: outside one’s own community (from foreigners to non-human monsters) and inside it (for example, religious and social minorities, or individual newcomers in towns, villages, or at court).
One could encounter the ‘Others’ while travelling, in writing, reading and thinking about them, by assessing and judging them, by ‘feelings’ ranging from curiosity to contempt, and behaviour towards them which, in turn, can lead to integration or exclusion, friendship or hostility, and support or persecution.
The demarcation of the ‘Self’ from ‘Others’ applies to all areas of life, to concepts of thinking and mentalité as well as to social ‘reality’, social intercourse and transmission of knowledge and opinions. Forms and concepts of the ‘Other’, and attitudes towards ‘Others’, imply and reveal concepts of ‘Self’, self-awareness and identity, whether expressed explicitly or implicitly. There is no ‘Other’ without ‘Self’. A classification as ‘Others’ results from a comparison with oneself and one’s own identity groups.
Thus, attitudes towards ‘Others’ oscillate between admiring and detesting, and invite questioning into when the ‘Other’ becomes the ‘Strange’.
The aim of the IMC is to cover the entire spectrum of ‘Otherness’ through multi-disciplinary approaches, on a geographical, ethnic, political, social, legal, intellectual and even personal level, to analyse sources from all genres, areas, and regions.
Possible entities to research for ‘Otherness’ could include (but are not limited to):
• Peoples, kingdoms, languages, towns, villages, migrants, refugees, bishoprics, trades, guilds, or seigneurial systems
- Faiths and religions, religious groups (including deviation from the ‘true’ faith) and religious orders
• Different social classes, minorities, or marginal groups
• The spectrum from ‘Strange’ to ‘Familiar’.
• Individuals or ‘strangers’ of any kind, newcomers as well as people exhibiting strange behaviour
• Otherness related to art, musics, liturgical practices, or forms of worship
• Any further specific determinations of ‘alterity’
Methodologies and Approaches to ‘Otherness’ (not necessarily distinct, but overlapping) could include:
• Definitions, concepts, and constructions of ‘Otherness’
• Indicators of, criteria and reasons for demarcation
• Relation(s) between ‘Otherness’ and concepts of ‘Self’
• Communication, encounters, and social intercourse with ‘Others’ (in embassies, travels, writings, quarrels, conflicts, and persecution)
- Knowledge, perception, and assessment of the ‘Others’
• Attitudes and behaviour towards ‘Others’
• Deviation from any ‘norms’ of life and thought (from the superficial to the fundamental)
• Gender and transgender perspectives
• Co-existence and segregation
• Methodological problems when inquiring into ‘Otherness’
• The Middle Ages as the ‘Other’ compared with contemporary times (‘Othering’ the Middle Ages).
How to Submit: The IMC online proposal form is now available.
Proposals should be submitted online at: www.leeds.ac.uk/ims/imc/imc2017_call.html
The IMC welcomes session and paper proposals submitted in all major European languages.
Kalamazoo, May 11 – 14, 2017
Deadline: Apr 15, 2016
The 52nd International Congress on Medieval Studies takes place May
Each year, the Italian Art Society (http://www.italianartsociety.org) sponsors three linked sessions at the annual meeting of the International Congress on Medieval Studies (ICMS). The Congress is an annual gathering of more than 3,000 scholars interested in medieval studies, broadly defined. The IAS seeks session proposals that cover Italian art from the fourth through the fifteenth centuries. The annual deadline is April 15. See our submission guidelines
(http://italianartsociety.org/conferences-lectures/ias-conference-submission-guidelines/) for eligibility requirements to propose a session for IAS at Kalamazoo.
Please send abstracts of 250 words together with a 1 page cv to firstname.lastname@example.org.