Category Archives: Call for Session Proposals

CFP: Mary Jaharis Center sponsored session, 25th International Medieval Congress, University of Leeds, July 2–5, 2018

mjc-logo-lrgCall for For Session Proposals, Mary Jaharis Center’s sponsored session, 25th International Medieval Congress, University of Leeds, July 2–5, 2018
Deadline: September 1, 2017
The Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 25th International Medieval Congress, University of Leeds, July 2–5, 2018. We invite session proposals on any topic relevant to Byzantine studies.
The thematic strand for the 2018 IMC is “Memory.” See the IMC Call for Papers (https://www.leeds.ac.uk/ims/imc/imc2018_call.html) for additional information about the theme and suggested areas of discussion.
Session proposals should be submitted through the Mary Jaharis Center website (https://maryjahariscenter.org/sponsored-sessions/25th-imc). The deadline for submission is September 1, 2017. Proposals should include:
**Title
**100-word session abstract
**Session moderator and academic affiliation
**Information about the three papers to be presented in the session. For each paper: name of presenter and academic affiliation, proposed paper title, and 100-word abstract
**CV
Successful applicants will be notified by mid-September if their proposal has been selected for submission to the International Medieval Congress. The Mary Jaharis Center will submit the session proposal to the International Medieval Congress and will keep the potential organizer informed about the status of the proposal.
If the proposed session is approved, the Mary Jaharis Center will reimburse session participants (presenters and moderator) up to $600 maximum for European residents and up to $1200 maximum for those coming from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
The session organizer may act as the moderator or present a paper. Participants may only present papers in one session.
Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

CFP: Association for Art History Annual Conference 2018 (London, 5-7 Apr 2018)

London, The Courtauld Institute of Art and King’s College London
Deadline: May 1, 2017
The Courtauld Institute of Art
Association for Art History Annual Conference 2018, Call for Sessions

‘LOOK OUT!’ is the theme of the Association for Art History’s Annual Conference , co-hosted by the Courtauld Institute of Art and King’s College London, from April 5 – April 7 2018.

•    Incorporating a whole range of outlooks – of educators, curators and heritage partners, of university and other teachers and researchers in art history and other disciplines, and of artists themselves.
•    Challenging you to think about art history’s global reach and connections with other affiliated subjects in the arts, humanities and sciences.
•    Inviting new perspectives on international collaborations within the field in the context of current political events.
•    Encompassing examination of the histories and futures of art historical practices, and the opportunities and challenges of broader political and public engagement.
•    Other creative and innovative ways of interpreting the theme are enthusiastically encouraged!

We aim to include contributions from those engaged in all aspects of research involving art history and visual culture.

DEADLINE for academic and alternative session proposals: May 1st 2017
to aahsessions2018@gmail.com

CFP: Female Agency in the Arts (New York, 26-27 Jun 2018)

Christie’s Education New York, June 26 – 27, 2018
Deadline: Jul 15, 2017

Celebrating Female Agency in the Arts
Call for Sessions

Busy road intersection in Manhattan, New York, at sunset

Christie’s Education

Following the success of the 250-anniversary conference held in London
in July 2016, Christie’s Education is organizing its second academic
conference on the theme of women in the arts. The Conference will take
place at Christie’s, 20 Rockefeller Plaza in New York on Tuesday June
26th and Wednesday June 27th 2018.

From Antiquity to today, women have always played a significant role in
the arts and their markets.  With this call for sessions, we welcome
proposals coming from a wide range of disciplines that would consider
women’s diverse contributions to the arts from a transnational and
transhistorical perspective. We hope that the sessions will reflect the
global and historical diversity of the issues at stake.

This conference is not advocating for a separate history nor an
alternative history of art and its markets, but rather we want to look
at the central role played by women in the creation, development,
support and preservation of the arts and, also how their contribution
has changed over time.

Sessions should consider globally and throughout history women as
artists, patrons and collectors of art and architecture, dealers and
brokers, art historians and art critics as well as curators and
preservers of culture. From the presence of women in emerging and
established art centers to historical aristocratic patronage and back
in time to the medieval period and antiquity we hope that the sessions
will investigate a diverse range of topics.

Deadline for Session Proposals:
We encourage academics across disciplines and art professionals to
submit proposals for individual sessions. Sessions will be 115 (4 x 20
minute papers) or 90 minutes (3 x 20 minute papers) in length. Please
send a 250/300-word abstract to Dr. Cecily Hennessy
(chennessy@christies.com) and Dr. Véronique Chagnon-Burke
(vchagnon-burke@christies.edu) by July 15th 2017.

Mary Jaharis Center Sponsored Panel, 43rd Annual Byzantine Studies Conference

hosios-loukas-experiorAs part of its ongoing commitment to Byzantine studies, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 43rd Annual Byzantine Studies Conference to be held at the University of Minnesota, Twin Cities, Minneapolis, MN, October 5–8, 2017. We invite session proposals on any topic relevant to Byzantine studies.
Session proposals must be submitted through the Mary Jaharis Center website site (https://maryjahariscenter.org/sponsored-sessions/43rd-annual-byzantine-studies-conference). The deadline for submission is February 15, 2017. Proposals should include:
—Proposed session title
—CV of session organizer
—300-word session summary, which includes a summary of the overall topic, the format for the panel (such as a debate, papers followed by a discussion, or a traditional session of papers), and the reasons for covering the topic as a prearranged, whole session
—Session chair and academic affiliation. Please note: Session chairs cannot present a paper in the session
—Information about the four papers to be presented in the session. For each paper: name of presenter and academic affiliation, proposed paper title, and 500-word abstract. Please note: Presenters must be members of BSANA in good standing
Session organizers may present a paper in the session or chair the session. If a co-organzier is proposed for the session, the co-organizer must also give a paper in the session or chair the session.
Applicants will be notified by February 20, 2017. The organizer of the selected session is responsible for submitting the session to the BSC by March 1, 2017. Instructions for submitting the panel proposal are included in the BSC Call for Papers (https://maryjahariscenter.org/assets/sponsored-sessions/2017_BSANA_Call_for_Papers_FINAL.pdf).
If the proposed session is approved, the Mary Jaharis Center will reimburse session participants (presenters and chair, if the proposed chair is selected by the BSC program committee) up to $600 maximum for North American residents and up to $1200 maximum for those coming from abroad. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

CFP: Special thematic strand: ‘Otherness,’ IMC Leeds 2017

imc_postcard_2017_front_1Call for Papers: Special thematic strand: ‘Otherness,’ International Medieval Congress, University of Leeds, 3–6 July 2017
Deadline for paper proposals: 31 August 2016.
Deadline for session proposals:
30 September 2016

The IMC provides an interdisciplinary forum for the discussion of all aspects of Medieval Studies. Paper and session proposals on any topic related to the Middle Ages are welcome.

However, every year, the IMC chooses a special thematic strand which – for 2017 – is ‘Otherness’. This focus has been chosen for its wide application across all centuries and regions and its impact on all disciplines devoted to this epoch.

‘Others’ can be found everywhere: outside one’s own community (from foreigners to non-human monsters) and inside it (for example, religious and social minorities, or individual newcomers in towns, villages, or at court).

One could encounter the ‘Others’ while travelling, in writing, reading and thinking about them, by assessing and judging them, by ‘feelings’ ranging from curiosity to contempt, and behaviour towards them which, in turn, can lead to integration or exclusion, friendship or hostility, and support or persecution.

The demarcation of the ‘Self’ from ‘Others’ applies to all areas of life, to concepts of thinking and mentalité as well as to social ‘reality’, social intercourse and transmission of knowledge and opinions. Forms and concepts of the ‘Other’, and attitudes towards ‘Others’, imply and reveal concepts of ‘Self’, self-awareness and identity, whether expressed explicitly or implicitly. There is no ‘Other’ without ‘Self’. A classification as ‘Others’ results from a comparison with oneself and one’s own identity groups.

Thus, attitudes towards ‘Others’ oscillate between admiring and detesting, and invite questioning into when the ‘Other’ becomes the ‘Strange’.

The aim of the IMC is to cover the entire spectrum of ‘Otherness’ through multi-disciplinary approaches, on a geographical, ethnic, political, social, legal, intellectual and even personal level, to analyse sources from all genres, areas, and regions.

Possible entities to research for ‘Otherness’ could include (but are not limited to):
•       Peoples, kingdoms, languages, towns, villages, migrants, refugees, bishoprics, trades, guilds, or seigneurial systems

  • Faiths and religions, religious groups (including deviation from the ‘true’ faith) and religious orders
    •       Different social classes, minorities, or marginal groups
    •       The spectrum from ‘Strange’ to ‘Familiar’.
    •       Individuals or ‘strangers’ of any kind, newcomers as well as people exhibiting strange behaviour
    •       Otherness related to art, musics, liturgical practices, or forms of worship
    •       Any further specific determinations of ‘alterity’

Methodologies and Approaches to ‘Otherness’ (not necessarily distinct, but overlapping) could include:
•       Definitions, concepts, and constructions of ‘Otherness’
•       Indicators of, criteria and reasons for demarcation
•       Relation(s) between ‘Otherness’ and concepts of ‘Self’
•       Communication, encounters, and social intercourse with ‘Others’ (in embassies, travels, writings, quarrels, conflicts, and persecution)

  • Knowledge, perception, and assessment of the ‘Others’
    •       Attitudes and behaviour towards ‘Others’
    •       Deviation from any ‘norms’ of life and thought (from the superficial to the fundamental)
    •       Gender and transgender perspectives
    •       Co-existence and segregation
    •       Methodological problems when inquiring into ‘Otherness’
    •       The Middle Ages as the ‘Other’ compared with contemporary times (‘Othering’ the Middle Ages).

    How to Submit: The IMC online proposal form is now available.
    Proposals should be submitted online at: www.leeds.ac.uk/ims/imc/imc2017_call.html
    The IMC welcomes session and paper proposals submitted in all major European languages.

Call for Session Proposals for Kalamazoo: Italian Art Society

Kalamazoo, May 11 – 14, 2017
Deadline: Apr 15, 2016

The 52nd International Congress on Medieval Studies takes place May
11-14, 2017.

Each year, the Italian Art Society (http://www.italianartsociety.org) sponsors three linked sessions at the annual meeting of the International Congress on Medieval Studies (ICMS). The Congress is an annual gathering of more than 3,000 scholars interested in medieval studies, broadly defined. The IAS seeks session proposals that cover Italian art from the fourth through the fifteenth centuries. The annual deadline is April 15. See our submission guidelines
(http://italianartsociety.org/conferences-lectures/ias-conference-submission-guidelines/) for eligibility requirements to propose a session for IAS at Kalamazoo.
Please send abstracts of 250 words together with a 1 page cv to programs@italianartsociety.org.

Call for Papers and Panels: Medieval & Early Modern Festival (17-18 June, University of Kent, Canterbury)

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About the Festival

The Medieval and Early Modern Studies Summer Festival, to be held at the University of Kent at Canterbury, is a two-day celebration of all research in the Medieval and Early Modern periods, including the study of religion, politics, history, art, drama, literature, and everyday culture of different nations.

The festival is designed to bring together scholars from a range of disciplines, academic schools and institutions in order to foster conversations, build a greater sense of community, and develop a research network for all masters and PhD postgraduate students and academic staff within the South-East of England.

As a discipline, medieval and early modern studies is inherently interdisciplinary. It encompasses such a length of time and breadth of subjects that scholars and students often find themselves dispersed, situated in different departments and lacking a cohesive identity or space in which to interact. The festival therefore allows many students and staff that may never otherwise encounter one another to share their research and ideas. This event is essential to the building of a strong and supportive postgraduate environment for current and prospective students across the universities.

This event is jointly sponsored by the Centre for Medieval and Early Modern Studies at the University of Kent, the Consortium for the Humanities of the Arts South-East England, and the Eastern Arc Research Consortium.