CFP: Illustrating Love: From Myth to Manual, Athens, GA, March 22–23, 2019

Deadline: Nov 30, 2018 Call For Papers Illustrating Love: From Myth to Manual UGA Emerging Scholars Symposium—March 22-23rd, 2019 Keynote Speaker: Dr. Paul Barolsky Submissions Due: November 30, 2018 The Association of Graduate Art Students (AGAS) at the University of Georgia, in partnership with the Georgia Museum of Art, invites emerging scholars to submit proposalsContinue reading “CFP: Illustrating Love: From Myth to Manual, Athens, GA, March 22–23, 2019”

Call for Articles: MEMO – Medieval and Early Modern Material Culture Online

Deadline: Oct 31, 2018 Theme: Objekte der Erinnerung Im kommenden Jahr 2019 jährt sich zum 500. Mal der Todestag Kaiser Maximilians I. Dieses Gedenken wird vielerorts genutzt, um die Person des habsburgischen Herrschers, seine Wirkung und Bedeutung für seine Zeit im musealen Rahmen in Szene zu setzen. Eine zentrale Rolle hierbei spielen Objekte: Objekte, dieContinue reading “Call for Articles: MEMO – Medieval and Early Modern Material Culture Online”

Conference: Bohlentueren und Eisenkunst des Mittelalters, Esslingen am Neckar, November 21–22, 2018

Registration deadline: Oct 19, 2018 Anlässlich der Restaurierung der mittelalterlichen Bohlentüren in der Welterbestätte Kloster Maulbronn und des davon unabhängigen Projektes der Restaurierung einer frühgotischen Sakristeitüre in der Johanneskircheim Rheinland-Pfälzischen Neustadt-Mußbach veranstalten die beiden Landesdenkmalpflegeämter von Baden-Württemberg und Rheinland-Pfalz ein wissenschaftliches Kolloquium. Die Idee für die Tagung entstand aus der Einsicht, dass dem Thema derContinue reading “Conference: Bohlentueren und Eisenkunst des Mittelalters, Esslingen am Neckar, November 21–22, 2018”

CFP: ‘Faking it: Forgery and Fabrication in Late Medieval and Early Modern Culture’, University of Gothenburg, 15-17 August 2019 (Deadline: 30 January 2019)

Faking it: Forgery and Fabrication in Late Medieval and Early Modern Culture The University of Gothenburg, Sweden, 15-17th August 2019 What is real and what is fake? And why does it matter? As soon as objects, texts and utterances (be they pragmatic or artistic) become imbued with a sense of authority or authenticity, there is aContinue reading “CFP: ‘Faking it: Forgery and Fabrication in Late Medieval and Early Modern Culture’, University of Gothenburg, 15-17 August 2019 (Deadline: 30 January 2019)”

Conference: Gotik global – kolonial – postkolonial, Dresden, October 26–7, 2018

Dresden, Technische Universität, Institut für Kunst und Musikwissenschaft, Raum ABS/E08/H, 26. – 27.10.2018 Gotik global – kolonial – postkolonial: Gotisierende Sakralarchitektur auf der Iberischen Halbinsel und in Lateinamerika vom 19. bis zum 21. Jahrhundert Tagung der Technischen Universität Dresden, Institut für Kunst- und Musikwissenschaft der Philosophischen Fakultät in Zusammenarbeit mit der Carl Justi-Vereinigung e.V. Immer wieder werden imContinue reading “Conference: Gotik global – kolonial – postkolonial, Dresden, October 26–7, 2018”

Fellowship: Andrew W. Mellon Fellowship in Critical Bibliography

Deadline: Nov 1, 2018 Rare Book School’s Andrew W. Mellon Society of Fellows in Critical Bibliography invites applications for its (2019–2020) fellowship cohort. The deadline is November 1, 2018. Continuing the work of the Andrew W. Mellon Fellowship in Critical Bibliography (2012–17), this scholarly society works to advance the study of texts, images, and artifactsContinue reading “Fellowship: Andrew W. Mellon Fellowship in Critical Bibliography”

Conference: Mobility and conflict in the Mediterranean, UNED, Madrid, October 26, 2018

INTERNATIONAL WORKSHOP Mobility and conflict in the Mediterranean: sociability networks and artistic creation in the Late Medieval and Early Modern periods UNED, Madrid 26 de octubre de 2018. 9.30. Presentación SESIÓN 1: Alteridades móviles: La visión del otro en la literatura y el arte Modera: Juan Carlos Ruiz Souza (UCM) 10:00-10:20: Representando al otro: tejidosContinue reading “Conference: Mobility and conflict in the Mediterranean, UNED, Madrid, October 26, 2018”

Murray Seminars at Birkbeck, Autumn 2019

16 October, Lisa Monnas Vestments and Textiles in Hans Memling’s ‘God with Singing and Music-making Angels  Three large panels in the Royal Museum of Fine Arts in Antwerp, painted by Hans Memling in the 1480’s, represent a heavenly scene framed by clouds, which part to reveal the central figure of God attended by sixteen singing andContinue reading “Murray Seminars at Birkbeck, Autumn 2019”

CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019

Almost every Medieval church had one or more sculptures of saints, many of which were placed on altars, in wall niches or in so-called tabernacle-altarpieces. This last category refers to three-dimensional, canopied structures, embellished with bright colours and equipped with movable wings that housed cult images of the Virgin and Child or saints. This early type of altarpieceContinue reading “CFP: The Saint Enshrined: European Tabernacle-altarpieces, c.1150-1400, Valladolid, June 7–8, 2019”