Conference “De l’Espagne à l’Europe du Nord. Les manuscrits enluminés français et flamands de la Bibliothèque nationale d’Espagne (Madrid)”, Lille University, 29/03/2018

Le projet scientifque intitulé De l’Espagne à l’Europe du Nord : les manuscrits français et flamands de la Biblioteca nacional de España (Madrid), dirigé par Anne-Marie Legaré, professeur d’Histoire de l’Art médiéval (IRHiS, UdL) et assistée de Samuel Gras, docteur en Histoire de l’Art médiéval (IRHiS, UdL), repose sur un partenariat inédit entre l’IRHiS, l’Université deContinue reading “Conference “De l’Espagne à l’Europe du Nord. Les manuscrits enluminés français et flamands de la Bibliothèque nationale d’Espagne (Madrid)”, Lille University, 29/03/2018″

Call for Participants: MAIUS Workshop, 13/03/2018, Deadline TODAY

MAIUS Workshop Meeting March 13, 6 – 7:30 Senate House, Rm G21A Please join us for our next meeting of graduate students and early career researchers working on Iberian and Latin American studies! The next Maius Workshop will take place at Senate House (Room G21A, Senate House, Malet St, Bloomsbury, London WC1E 7HU, UK) andContinue reading “Call for Participants: MAIUS Workshop, 13/03/2018, Deadline TODAY”

Event: Archaeometallurgical Medieval Bell Casting in Paderborn 23/06/208/-28/07/2018

Zum 950 jährigen Jubliäum des hohen Domes in Paderborn und zum 1000 jährigen Jubiläum der Bartholomäuskapelle hat mich das Metropolitankapitel Paderborn mit der Aufgabe betraut im Rahmen der lebendigen Dombauhütte eine Bienenkorbglocke des 11. Jahrhunderts zu gießen. Damit hat das Metropolitankapitel die einmalige Gelegenheit geschaffen, der Entstehung einer Bienenkorbglocke des 11. Jahrhunderts beiwohnen zu können.Continue reading “Event: Archaeometallurgical Medieval Bell Casting in Paderborn 23/06/208/-28/07/2018”

Call for Papers “To be [titled], or not to be [titled]? Art History and its “well-(un)known” masters…” at Nordik 25-27/10/2018, Copenhagen, Deadline 23/03/2018

It seems to be impossible to imagine an art history without names. In scientific practice the attribution to a “name” can significantly influence the perception and assessment of traditional works of art.
Since the beginning of the 20th century art historians – starting with Adolf Goldschmidt (1863-1944) or Wilhelm Vöge (1868-1952) – often have used toContinue reading “Call for Papers “To be [titled], or not to be [titled]? Art History and its “well-(un)known” masters…” at Nordik 25-27/10/2018, Copenhagen, Deadline 23/03/2018″

Lecture: ‘Structuring the Sacred: Considering Framing, Space and Place on the Easby Cross’, Dr Meg Boulton, London Society for Medieval Studies, IHR London, 27 February 2018

NOW CANCELLED DUE TO INDUSTRIAL ACTION! The London Society for Medieval Studies is hosting the following lecture on Tuesday 27th February at 7pm: Meg Boulton, speaking on ‘”Structuring the Sacred”: Considering Framing, Space and Place on the Easby Cross. Location: Institute of Historical Research, Wolfson Room NB01, Senate House (located on Malet Street, London WC1E 7HU). All those whoContinue reading “Lecture: ‘Structuring the Sacred: Considering Framing, Space and Place on the Easby Cross’, Dr Meg Boulton, London Society for Medieval Studies, IHR London, 27 February 2018”

Call for Papers: University of Kent Medieval and Early Modern Studies Summer Festival 15-16/06/2018, Deadline 23/03/2018

Now in its fourth year, MEMS Summer Festival is a two-day celebration of the Medieval and Early Modern periods, including the study of religion, politics, history, art, drama, literature, and domestic culture from c. 400 – 1800. The festival, hosted at the University of Kent, is designed to bring together scholars from a range ofContinue reading “Call for Papers: University of Kent Medieval and Early Modern Studies Summer Festival 15-16/06/2018, Deadline 23/03/2018”

Call for Papers: Illuminating the Dark Ages: Manuscript art and knowledge in the Early Medieval World (c. 600-1100), University of Edinburgh, 28-29/06/2018, Deadline 15/03/2018

“Illuminating the Dark Ages” has been conceived as an international conference that aims to bring together researchers of all levels, including postgraduate students, working on the wider Early Middle Ages and the decorated manuscript as a cultural medium. From a variety of perspectives, this conference intends to shed light on how and why manuscripts wereContinue reading “Call for Papers: Illuminating the Dark Ages: Manuscript art and knowledge in the Early Medieval World (c. 600-1100), University of Edinburgh, 28-29/06/2018, Deadline 15/03/2018”

Conference: “Bells and Smells: Sensory Experiences of the Medieval Liturgy”, Senate House, University of London, 24/02/2018

The five senses occupied an ambiguous place in medieval religious life. For generations of theologians and pastoral writers, the senses were gateways for sin to enter body and soul. And yet, in the rarefied environment of liturgical performance, they became the means by which mortals could apprehend the Almighty. Imagery, music, incense, touch and evenContinue reading “Conference: “Bells and Smells: Sensory Experiences of the Medieval Liturgy”, Senate House, University of London, 24/02/2018″

Call for Papers: Art of The Invisible, Courtauld Institute of Art 19/10/2018, Deadline 14/05/2018

An interdisciplinary conference at The Courtauld Institute of Art exploring art’s relationship with the invisible. ‘He even painted things that cannot be represented …’, Pliny eulogized Apelles in his Naturalis historia. ‘How can we with mortal eyes contemplate this image whose celestial splendour the host of heaven presumes not to behold?’, asks a Byzantine hymn dedicatedContinue reading “Call for Papers: Art of The Invisible, Courtauld Institute of Art 19/10/2018, Deadline 14/05/2018”

Conference: Mediterranean Artistic Interaction, University of Malta (9 March 2018), Registration Deadline 7 March 2018

The Dynamics of Mediterranean Artistic Interaction in the Late Medieval and Renaissance PeriodsInternational Conference – Department of Art and Art History, University of Malta Convener: Dr Charlene Vella 13:30 – 14:00Registration 14:00Welcome First session (14:15 – 16:00) — chaired by Keith Sciberras 14:15 – 14:45Mario Buhagiar (University of Malta): The Siculo-Byzantinesque ‘Virgin of St Luke’Continue reading “Conference: Mediterranean Artistic Interaction, University of Malta (9 March 2018), Registration Deadline 7 March 2018”