Monthly Archives: February 2017

Conference: Romanesque conference at Cuxa (les journées romanes de Cuxa), July 10 -14, 2017

2017-02-28-2This theme for this year’s Romanesque conference at Cuxa (les journées romanes de Cuxa) is the art and architecture of the great abbeys. Papers are in French and are given in the former west range of the abbey of Saint-Michel de Cuxa, according to the programme below. Booking forms can be downloaded fromwww.cuxa.org – or via email on contact@cuxa.org

LES GRANDES ABBAYES ET L’ART ROMAN
Semaine de conférences et de visites, à Saint-Michel de Cuxa (Codalet, Pyrénées-Orientales, France)

Lundi 10 juillet, ouverture :

Michel Lauwers, Université Côte d’Azur, CEPAM (Nice)
Les complexes monastiques de l’Occident médiéval, laboratoires de représentations et de pratiques spatiales singulières

[2017, année Puig i Cadafalch]
Olivier Poisson, association culturelle de Cuxa
Josep Puig i Cadafalch (1867-1956) et Cuxa

visite de l’abbaye : Caroline de Barrau, Olivier Poisson, Emmanuel Garland

Mardi 11 juillet

Christian Sapin, directeur de recherche émérite au CNRS
De Saint-Riquier à Vézelay, l’apport de l’archéologie à la connaissance des monastères

Neil Stratford, membre de l’Institut
Cluny III: autels, choeur liturgique, sépultures

Eliane Vergnolle, professeur honoraire, Université de Franche-Comté
Le chœur de Saint-Benoît-sur-Loire : programme monumental, mise en scène des reliques et liturgie monastique

Christian Gensbeitel, maître de conférences, Université Bordeaux Montaigne
L’église du prieuré clunisien Saint-Eutrope de Saintes, entre culte des reliques et vie monastique.

Maddalena Vaccaro, Università degli studi di Salerno (Italie)
Sous les pieds de la communauté du Mont-Cassin (Montecassino) : espaces architecturaux et décors des pavements.

Mercredi 12 juillet

excursion et visite : abbaye de Lagrasse (Aude), Andréas Hartmann-Virnich, Christian Markiewicz, Nelly Pousthomis,

conférence sur place : Anna Orriols, Universitat Autònoma de Barcelona
Entre souvenir et prestige. Commémorations visuelles dans les abbayes catalanes (XI-XII siècles).

Jeudi 13 juillet

John McNeill, University of Oxford (Grande-Bretagne)
Trois grands monastères clunisiens en Angleterre: Lewes, Castle Acre et Wenlock

Pio Pistilli, Università di Roma “La Sapienza” (Italie)
Architecture bénédictine au Sud de l’Empire. L’adaptation de l’église abbatiale de Farfa à l’époque préromane.

Cécile Treffort, Université de Poitiers, CESCM
Fonder, construire, consacrer une abbaye en Poitou et Saintonge à l’époque romane

Andreas Hartmann-Virnich, Heike Hansen, Aix-Marseille Université (LA3M), Götz Echtenacher, architecte
A la recherche du chœur perdu : Saint-Gilles-du-Gard et Montmajour

17h communications de jeunes chercheurs :

Marie-Pierre Bonetti, doctorante, Aix Marseille Université (LA3M)
Entre innovation et tradition, deux siècles d’architecture romane à l’abbaye Saint-Victor de Marseille.

Anaël Vignet, doctorant, université de Poitiers
L’abbaye de Saint-Amant-de-Boixe

Julie Gonzalez, Université de Pau et des Pays de l’Adour (LITEM)
L’iconographie de l’Enfer et des gueules dévorantes au Moyen Âge. Histoire
d’une forme et de sa représentation.

18h Assemblée générale de l’Association culturelle de Cuxa

Vendredi 14 juillet

matin : excursion/visite : Saint-Martin du Canigou, Olivier Poisson

après-midi :

Marc Sureda Jubany, musée épiscopal de Vic (Catalogne)
La liturgie dans l’abbaye romane : Santa Maria de Ripoll

Scott Brown, University of North Florida (États-Unis)
Amat d’Oloron à l’abbaye de La Sauve-Majeure: l’esprit constructeur et son guide dans l’architecture religieuse en Aquitaine à la fin du XIe siècle

conclusions

Samedi 15 juillet

excursion, visites :
Les abbayes du Vallespir : Arles-sur-Tech, Saint-André, Saint-Genis-des-Fontaines, Caroline de Barrau, Emmanuel Garland, Olivier Poisson.

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Conference: Identifying Governmental Forms in Europe, 1100-1350: Palaeography, Diplomatics and History, 3-4 April, 2017, University of Glasgow

2017-02-28Speakers: Richard Sharpe, Kathryn Dutton, Els de Paermentier, Nicolas Ruffini-Ronzani, Sverre Bagge, Sébastien Barret, Alheydis Plassmann, Alice Taylor, Marie Therese Flanagan, Matthew Hammond, John Reuben Davies, László Veszprémy, Jessica Berenbeim, Fernando Arias Guillén, Dauvit Broun

Where: University of Glasgow, 3-4 April 2017

Cost: Free (although not inc. travel and accommodation)

Register: please email alice.taylor@kcl.ac.uk to register

Brief blurb: The origins of the modern state have long been located in the European central middle ages. But the focus on origins has produced a too-narrow view of what government looked like and what kinds of authorities could govern in the central medieval period. This two-day colloquium brings together scholars from across Europe to expand our understanding of medieval government and the influences brought to bear on its expression. Its methodological focus is history’s so-called ‘auxiliary sciences’ of diplomatics and palaeography, inspired by the research aims lying behind the interdisciplinary research project, Models of Authority: Scottish Charters and the Emergence of Government, 1100-1250 (www.modelsofauthority.ac.uk). Both palaeography and diplomatics are traditionally used in studies of medieval government to illuminate the development of bureaucracy and institutional complexity, but here will also be examined to understand the communication and representation of governmental forms in all their varieties, as well as the interplay between them.

More information is attached. If you have any questions, please email alice.taylor@kcl.ac.uk

Lecture: ‘Mea culpa?’ Penitence, Enrico Scrovegni and me, Laura Jacobus, 22 February, 2017, History of Art Department, Birkbeck College

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The Arena Chapel in Padua was until very recently thought to have been built as an act of restitution for usury, and its frescoes by Giotto an expression of penitence on the part of the patron Enrico Scrovegni.  That view has now been challenged by Laura Jacobus and others.  But two of her recent discoveries have the potential to reinforce the established view and undermine her own.  What happens when a researcher comes across inconvenient truths, and what is to be done? 

Seminars take place in the History of Art Department at Birkbeck (43, Gordon Sq., London WC1H 0PD) in Room 114 (The Keynes Library) at 5pm.  Talks finish by 5.50pm (allowing those with other commitments to leave) and are then followed by discussion and refreshments.  We hope to see you there.

Call for Papers: The Regional and Transregional in Romanesque Art and Architecture, Poitiers, 4-6 APRIL 2018

poitiersThe British Archaeological Association will hold the fifth in its series of biennial International Romanesque conferences in association with the Centre d’Etudes Supérieures de Civilisation Médiévale in Poitiers on 4-6 April, 2018.

The theme is The Regional and Transregional in Romanesque Art and Architecture, and the aim is to examine the extent to which regional styles and preferences were important in the material culture of the 11th and 12th centuries. The categorization of Romanesque by region was a cornerstone of 20th-century scholarship, and the subject is ripe for reappraisal, particularly in relation to transregional and pan-European artistic styles and approaches. How might we describe the cultural geography of the Latin West between c.1000 and c.1200? Proposals for papers concerned with the strength, durability, mutability and geographical scope of regional styles are welcome, as are those that review how, if at all, artistic ‘regions’ are aligned with political regions or initiatives. The extent to which media play a role will also be considered. Does portability make a difference – enhancing the potential for artistic exchange? What are the conditions that give rise to the development of transregional styles? Is identification by ‘gens’ rather than locality significant, particularly in areas where political change is effected through conquest? Are regional styles ever extinguished, and if so how and why? Is it appropriate to talk of centres and peripheries? Are materials – marble, brick, bronze – the dissemination and celebration of saints (particularly episcopal saints) – the emergence of civic patronage – the adoption of myths or legends – the assumption of imported motifs – important in affirming regional identity? How effective are the agencies that cut across territorial boundaries?

Proposals for papers of up to 30 minutes in length should be sent to the convenors, John McNeill and Marcello Angheben, on romanesque2018@thebaa.org by 31 May, 2017. Papers should be in English. Decisions on acceptance will be made by 15 June.

The Conference will be held with the CESCM in the historic centre of Poitiers from 4-6 April, with the opportunity to stay on for two days of visits to buildings in the Poitou on 7-8 April.

Conference: ART, ARCHITECTURE AND ARCHAEOLOGY IN LATE MEDIEVAL YORK, BAA, 21-25 July, 2017

york-minsterThe conference convenors are Professor Tim Ayers (University of York), Sarah Brown (University of York), Professor Sarah Rees Jones (University of York) and Philip Lankester (University of York and Royal Armouries). Lectures will cover Art, Architecture and Archaeology in Late Medieval York including introductory surveys of Roman York and Early Medieval and Anglo-Scandinavian York; and papers involving York Castle, York Minster, including the Chapter House; and other late medieval ecclesiastical and secular buildings in York including St Michael-le-Belfrey. Speakers include Peter Addyman, Jeremy Ashbee, Richard Beadle, Sarah Brown, Alex Buchanan, Kate Giles, Jeremy Goldberg, David Harrison, Stuart Harrison, Alex Holton, Ailsa Mainman, Hilary Moxon, Julian Munby, Christopher Norton, Patrick Ottaway, John Oxley Christopher Paterson, Philippa Turner, Lisa Reilly, Sarah Rees Jones, Jayne Rimmer and Mary Shepard.

In York there will be site visits to various parts of York Minster, walking tours south and north of the river which we hope will include St Mary’s Abbey, The Yorkshire Museum, All Saints North Street, Holy Trinity Micklegate, Baile Hill, Clifford’s Tower, St Anthony’s and the Merchant Adventurers’ Halls, Goodramgate, King’s Square, Stonegate and St Helen’s Square. All site visits will be on foot.
Booking forms and cheques (payable to the British Archaeological Association) should be sent to Kate Milburn at 34 Latimer Road, London, SW19 1EP by Friday 21st April, 2017. If you have any questions regarding the conference please email Kate Milburn catherinemilburn@madasafish.com

Early Career Lectureship in Medieval Art at The Courtauld, 3 years, from September 2017

The Courtauld Institute of Art seeks to appoint an Early Career Lecturer in Medieval Art (fixed-term; 3 years from 1 September 2017) to support and deliver teaching in the Department of Art History.

Salary: £35,798 pa (Inc. London Allowance)

courtauld-exterior_new_small-jpg-500x240

 

The Courtauld Institute of Art is the UK’s leading institution for teaching and research in Art History and the conservation of paintings; it is also home to one of the finest small art museums in the world.

Closing date: Monday 13 March 2017

Further details: https://jobs.courtauld.ac.uk/Vacancy.aspx?ref=121

Conference: Norwich and the Medieval Parish Church c.900 – 2017 The Making of a Fine City, June 17-18, 2017

dsc00822This conference is hosted by The Medieval Parish Churches of Norwich Research Project (undertaken at the University of East Anglia and funded by The Leverhulme Trust). All 58 churches, whether existing, ruined or lost, are included in the scope of the project, which seeks insight into how the medieval city developed topographically, architecturally and socially. The Project is intended to reveal the interdependent relationship between city, community and architecture showing how people and places shaped each other during the middle ages. The conference (supported by the Paul Mellon Centre for British Art and Purcell) will present the medieval parish churches of Norwich in their immediate local context and in the broader framework of urban churches in Britain and northern Europe. The subject range will include documentary history, the architectural fabric of the buildings themselves and their place in the topography of Norwich, the development of the churches’ architecture and furnishings, the representation of the churches and their post-Reformation history.
Date: Papers on Saturday 17 and Sunday 18 June 2017, site visits on Monday 19 June 2017 Location: The Weston Room, Norwich Cathedral Hostry Speakers will include local and international scholars, as well as the UEA research team, Brian Ayers, Clare Haynes, T. A. Heslop, and Helen Lunnon Programme: Full details, including timings and costings, to be announced. Bookings will be taken from early March 2017. Provisional reservations can be made by email to: h.lunnon@uea.ac.uk